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The Modern Spirit

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  • 240 stron
  • 9 godzin czytania

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Professor Langbaum offers insightful observations on Victorian culture, noting that the Victorians sought to reconcile change with continuity and order. In his best essay, "The Victorian Idea of Culture," he succinctly outlines various post-Enlightenment themes related to nature, society, humanism, and religion, claiming they embody "the modern spirit." However, his analysis overlooks significant modern thinkers like Hegel, Marx, Darwin, Freud, Einstein, and Wittgenstein, which raises questions about the relevance of his title. Langbaum effectively explores Wordsworth's blend of Lockean self-awareness with romantic nostalgia, Tennyson's struggles with faith and doubt, and Browning's use of personae, linking these themes to specific phases of English history and later mythmakers like Yeats, Eliot, and Joyce. Yet, his connections between the tragicomic elements of The Tempest and certain ironic archetypes in contemporary literature feel more suggestive than foundational. While Langbaum's essays are scholarly and sophisticated, they appear as preliminary work for a more comprehensive structure he has yet to develop.

Zakup książki

The Modern Spirit, Robert Langbaum

Język
Rok wydania
1970
Oprawa
(twarda)
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Tytuł
The Modern Spirit
Język
angielski
Rok wydania
1970
Oprawa
twarda
Liczba stron
240
ISBN10
0701116153
ISBN13
9780701116156
Seria
Kategorie
Opis
Professor Langbaum offers insightful observations on Victorian culture, noting that the Victorians sought to reconcile change with continuity and order. In his best essay, "The Victorian Idea of Culture," he succinctly outlines various post-Enlightenment themes related to nature, society, humanism, and religion, claiming they embody "the modern spirit." However, his analysis overlooks significant modern thinkers like Hegel, Marx, Darwin, Freud, Einstein, and Wittgenstein, which raises questions about the relevance of his title. Langbaum effectively explores Wordsworth's blend of Lockean self-awareness with romantic nostalgia, Tennyson's struggles with faith and doubt, and Browning's use of personae, linking these themes to specific phases of English history and later mythmakers like Yeats, Eliot, and Joyce. Yet, his connections between the tragicomic elements of The Tempest and certain ironic archetypes in contemporary literature feel more suggestive than foundational. While Langbaum's essays are scholarly and sophisticated, they appear as preliminary work for a more comprehensive structure he has yet to develop.