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Leonardo da Vinci's Last Supper for Francois I

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  • 240 stron
  • 9 godzin czytania

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For the first time since its restoration, the copy of the Last Supper by Leonardo da Vinci, a tapestry made between 1505 and 1510, commissioned by Louise de Savoie and Franois, Duke of Angoulme, future king of France, is unveiled to the public. The tapestry, a monumental work of 6.5m x 9m, preserved in the Vatican Museums, was probably woven in Flanders by a Lombard artist, such as Bramantin or MarcodOggiono, artists known to have painted, as early as 1503, copies of the Leonardos fresco. The tapestry represents one of the first copies of the masterpiece intended for the French court and testifies to the admiration of the kings of France for the artist.This book will also highlight the previous relationship between Louis XIIs court and the Italian master and his disciples, such Andrea Solario, Andrea del Sarto and Bernadino de Conti.The essays will also focus on Leonardo da Vincis journey to and stay in France, through some copies of his most famous paintings and prints, prints and watercolors. Specialists in both Leonards art and the tapestry of the sixteenth and seventeenth centuries shed light on the provenance and making of this work, as well as its meticulous restoration.

Zakup książki

Leonardo da Vinci's Last Supper for Francois I, Pietro C. Marani

Język
Rok wydania
2020
Oprawa
(twarda)
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Tytuł
Leonardo da Vinci's Last Supper for Francois I
Język
angielski
Rok wydania
2020
Oprawa
twarda
Liczba stron
240
ISBN10
2370741260
ISBN13
9782370741264
Seria
Opis
For the first time since its restoration, the copy of the Last Supper by Leonardo da Vinci, a tapestry made between 1505 and 1510, commissioned by Louise de Savoie and Franois, Duke of Angoulme, future king of France, is unveiled to the public. The tapestry, a monumental work of 6.5m x 9m, preserved in the Vatican Museums, was probably woven in Flanders by a Lombard artist, such as Bramantin or MarcodOggiono, artists known to have painted, as early as 1503, copies of the Leonardos fresco. The tapestry represents one of the first copies of the masterpiece intended for the French court and testifies to the admiration of the kings of France for the artist.This book will also highlight the previous relationship between Louis XIIs court and the Italian master and his disciples, such Andrea Solario, Andrea del Sarto and Bernadino de Conti.The essays will also focus on Leonardo da Vincis journey to and stay in France, through some copies of his most famous paintings and prints, prints and watercolors. Specialists in both Leonards art and the tapestry of the sixteenth and seventeenth centuries shed light on the provenance and making of this work, as well as its meticulous restoration.