Bookbot

Chinese Graphic Design in the Twentieth Century

Ocena książki

Parametry

  • 160 stron
  • 6 godzin czytania

Więcej o książce

"From posters and advertisements to book covers and magazines, this volume presents a dazzling panoply of graphics, brilliantly uncovered by the authors from long-forgotten sources, mostly in China itself, after surviving innumerable upheavals: natural catastrophes, war and revolution. Beginning with the basic traditions of Chinese graphics, the authors show how the writer and artist Lu Xun became the centre of cultural revival in the new China. We see Art Deco making its mark in the Shanghai Style, and the birth of a national design aesthetic, born of Russian Constructivism and Chinas own drive for new technology. The Socialist Realist art of Mao in turn adopted folk traditions to fuel the Revolutionary machine, while the continuing search for a new identity can be seen in the graphic images of protest from the summer of 1989"--Jacket

Zakup książki

Chinese Graphic Design in the Twentieth Century, Scott Minick

Język
Rok wydania
2010
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,0
Bardzo dobra
21 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Chinese Graphic Design in the Twentieth Century
Język
angielski
Rok wydania
2010
Oprawa
miękka
Liczba stron
160
ISBN10
0500288739
ISBN13
9780500288733
Seria
Tagi
Sztuka
Ocena
4 z 5
Opis
"From posters and advertisements to book covers and magazines, this volume presents a dazzling panoply of graphics, brilliantly uncovered by the authors from long-forgotten sources, mostly in China itself, after surviving innumerable upheavals: natural catastrophes, war and revolution. Beginning with the basic traditions of Chinese graphics, the authors show how the writer and artist Lu Xun became the centre of cultural revival in the new China. We see Art Deco making its mark in the Shanghai Style, and the birth of a national design aesthetic, born of Russian Constructivism and Chinas own drive for new technology. The Socialist Realist art of Mao in turn adopted folk traditions to fuel the Revolutionary machine, while the continuing search for a new identity can be seen in the graphic images of protest from the summer of 1989"--Jacket