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First, the Raven : A Preface

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  • 212 stron
  • 8 godzin czytania

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Fiction. Sy Kirschbaum has spent almost twenty years in Prague translating legendary Czech dissident Jan Horak's samizdat masterpiece, Blue, Red, Gray. On the cusp of finishing, he is called back to his Maine hometown to see his troubled former lover, Ida Fields, now the wife of their childhood friend Gabe Slatky. But before he can see her, Sy must meet with Gabe for an evening at a local bar, an encounter that becomes a test of their old friendship and their dueling accounts of reality. In the conversation that follows, narratives of past and present--of art and life--interweave with perfect inevitability, yet with unpredictable, even shocking consequences, spiraling Sy and Gabe into confusion, doubt, and despair, without quite eroding, perhaps, the possibility of hope. FIRST, THE RAVEN: A PREFACE is a quietly yet profoundly radical work, as ingenious as a print by Escher or a Möbius strip: the Reader must glide along its whole immaculately ramified length before realizing how deeply life, despite its unceasing, nearly flawless appearance of normalcy, is upside down.

Zakup książki

First, the Raven : A Preface, Seth Rogoff

Język
Rok wydania
2017
Oprawa
(miękka)
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Tytuł
First, the Raven : A Preface
Język
angielski
Rok wydania
2017
Oprawa
miękka
Liczba stron
212
ISBN10
1944697446
ISBN13
9781944697440
Seria
Opis
Fiction. Sy Kirschbaum has spent almost twenty years in Prague translating legendary Czech dissident Jan Horak's samizdat masterpiece, Blue, Red, Gray. On the cusp of finishing, he is called back to his Maine hometown to see his troubled former lover, Ida Fields, now the wife of their childhood friend Gabe Slatky. But before he can see her, Sy must meet with Gabe for an evening at a local bar, an encounter that becomes a test of their old friendship and their dueling accounts of reality. In the conversation that follows, narratives of past and present--of art and life--interweave with perfect inevitability, yet with unpredictable, even shocking consequences, spiraling Sy and Gabe into confusion, doubt, and despair, without quite eroding, perhaps, the possibility of hope. FIRST, THE RAVEN: A PREFACE is a quietly yet profoundly radical work, as ingenious as a print by Escher or a Möbius strip: the Reader must glide along its whole immaculately ramified length before realizing how deeply life, despite its unceasing, nearly flawless appearance of normalcy, is upside down.