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Annette Kierulf and Caroline Kierulf

To Make a World

Autorzy

  • kolektiv

Ocena książki

Parametry

  • 250 stron
  • 9 godzin czytania

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The first monograph on the Norwegian sisters practicing "woodcut as cultural critique" Since the mid-1990s, Norwegian sisters Annette (born 1964) and Caroline Kierulf (born 1968) have practiced what they refer to as "woodcut as cultural critique" in the form of colorfully printed woodcut surfaces. Drawing on the medium's rich history as a means of communication and protest, the sisters strive to revive woodcut as a discursive tool. With subtle humor, they maximize the visual reductiveness of the low-tech medium to critically reflect on the various changes shaping our high-tech societies. As they source self-carved and meticulously puzzled large woodcut formats, their works are printed in very limited editions. Embedded with references from pop culture and folk art, Caroline Kierulf's work explores the often overlooked aspects of everyday life; Annette Kierulf, alternatively, focuses on a feminist reinterpretation of the landscape genre. This publication provides insights into their individual working methods and their collaborative project.

Zakup książki

Annette Kierulf and Caroline Kierulf, kolektiv

Język
Rok wydania
2022
Oprawa
(twarda)
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Tytuł
Annette Kierulf and Caroline Kierulf
Podtytuł
To Make a World
Język
angielski
Autorzy
kolektiv
Rok wydania
2022
Oprawa
twarda
Liczba stron
250
ISBN10
3775754288
ISBN13
9783775754286
Seria
Ocena
4 z 5
Opis
The first monograph on the Norwegian sisters practicing "woodcut as cultural critique" Since the mid-1990s, Norwegian sisters Annette (born 1964) and Caroline Kierulf (born 1968) have practiced what they refer to as "woodcut as cultural critique" in the form of colorfully printed woodcut surfaces. Drawing on the medium's rich history as a means of communication and protest, the sisters strive to revive woodcut as a discursive tool. With subtle humor, they maximize the visual reductiveness of the low-tech medium to critically reflect on the various changes shaping our high-tech societies. As they source self-carved and meticulously puzzled large woodcut formats, their works are printed in very limited editions. Embedded with references from pop culture and folk art, Caroline Kierulf's work explores the often overlooked aspects of everyday life; Annette Kierulf, alternatively, focuses on a feminist reinterpretation of the landscape genre. This publication provides insights into their individual working methods and their collaborative project.