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Baroque and Rococo art

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  • 224 strony
  • 8 godzin czytania

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1972, softcover, 224 pages with Index, illustrated with lots of photographs, paintings, art, sculpture, and architecture, measures about 8 1/8 inches X 5 5/8 inches. "The seventeenth century ushered in the great age of Baroque. Mannerism's fragmented and abstract virtuosities had become a restricting web, removed from common experience. The new art aimed frankly at involving the spectator, and had direct reference to nature and feeling. Baroque and Rococo ~ the style which almost imperceptibly merged with it in the following century ~ suggest images of exuberance, splendour, illusion, fantasy, and technical brilliance. Yet the seventeenth century, with its contrasting tendencies of dynamism and classicism, produced masters as diverse as Caravaggio, Bernini, Rubens, and Rembrandt; and the eighteenth century, artists of such varied inspiration as Watteau, Tiepolo, and Hogarth. Mr. Sewter does not impose unreal and rigid definitions, but considers the individuals and their work, in painting, sculpture, and architecture, in the light of both their genius and of the cultural context. He analyses the rich flow of interpenetrating influences from which the art of the period drew its vitality and intensity, and provides an incisive, sympathetic and illuminating survey of all the major artists."

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Baroque and Rococo art, A. C. Sewter

Język
Rok wydania
1972
Oprawa
(miękka)
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Tytuł
Baroque and Rococo art
Język
angielski
Rok wydania
1972
Oprawa
miękka
Liczba stron
224
ISBN10
0500620040
ISBN13
9780500620045
Seria
Opis
1972, softcover, 224 pages with Index, illustrated with lots of photographs, paintings, art, sculpture, and architecture, measures about 8 1/8 inches X 5 5/8 inches. "The seventeenth century ushered in the great age of Baroque. Mannerism's fragmented and abstract virtuosities had become a restricting web, removed from common experience. The new art aimed frankly at involving the spectator, and had direct reference to nature and feeling. Baroque and Rococo ~ the style which almost imperceptibly merged with it in the following century ~ suggest images of exuberance, splendour, illusion, fantasy, and technical brilliance. Yet the seventeenth century, with its contrasting tendencies of dynamism and classicism, produced masters as diverse as Caravaggio, Bernini, Rubens, and Rembrandt; and the eighteenth century, artists of such varied inspiration as Watteau, Tiepolo, and Hogarth. Mr. Sewter does not impose unreal and rigid definitions, but considers the individuals and their work, in painting, sculpture, and architecture, in the light of both their genius and of the cultural context. He analyses the rich flow of interpenetrating influences from which the art of the period drew its vitality and intensity, and provides an incisive, sympathetic and illuminating survey of all the major artists."