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A Persian Ode

Parametry

  • 398 stron
  • 14 godzin czytania

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A Persian Ode provides glimpses of what European travelers saw and heard of Persian music during the Safavid through Qajar eras in Iran (1501-1925), whether it be of singing in the desert night, the sounds of the caravan, salutations to the sun, chamber music and dance in the royal court, or songs to accompany and direct the colors and designs of rug weaving. Rather than presenting an analysis of Persian music or a chronology of its historical development during this period, this work shares eyewitness accounts of multiple genres of Persian music written by over 50 English and French visitors. As well, selected memoirs by Iranians offer first-hand descriptions and anecdotes of music and dance practices among the late Qajar courtiers and aristocracy. In addition to including textual descriptions of musical performance in a variety of settings, this work is illustrated by travelers’ sketches and photos as well as by photos from the Qajar royal photo album. Reference to recorded musical examples for selected genres are linked to an accompanying album for this book from the author’s Persian music field collection.

Zakup książki

A Persian Ode, Margaret Caton

Język
Rok wydania
2021
Oprawa
(miękka)
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Tytuł
A Persian Ode
Język
angielski
Rok wydania
2021
Oprawa
miękka
Liczba stron
398
ISBN10
1736873601
ISBN13
9781736873601
Seria
Opis
A Persian Ode provides glimpses of what European travelers saw and heard of Persian music during the Safavid through Qajar eras in Iran (1501-1925), whether it be of singing in the desert night, the sounds of the caravan, salutations to the sun, chamber music and dance in the royal court, or songs to accompany and direct the colors and designs of rug weaving. Rather than presenting an analysis of Persian music or a chronology of its historical development during this period, this work shares eyewitness accounts of multiple genres of Persian music written by over 50 English and French visitors. As well, selected memoirs by Iranians offer first-hand descriptions and anecdotes of music and dance practices among the late Qajar courtiers and aristocracy. In addition to including textual descriptions of musical performance in a variety of settings, this work is illustrated by travelers’ sketches and photos as well as by photos from the Qajar royal photo album. Reference to recorded musical examples for selected genres are linked to an accompanying album for this book from the author’s Persian music field collection.