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Emigre No. 70

The Look Back Issue. Selections from Emigre Magazine 1-69, 1984-2009

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  • 512 stron
  • 18 godzin czytania

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During the late 1980s and 1990s, graphic design underwent a transformative period marked by the introduction of the Apple Macintosh and a shift in design education. Design schools began exploring French linguistic theory, while the vernacular emerged as a significant source of inspiration. The democratization of typeface design allowed anyone with a computer to participate, and New York City was no longer the sole hub for graphic design innovation. In Berkeley, California, Emigre magazine recognized these pivotal changes, becoming both a participant and observer in this dynamic international design scene. With its successful digital type foundry, Emigre gained notoriety as one of the most popular and controversial graphic design magazines of its time, publishing 69 issues that featured interviews with design pioneers and critical essays from emerging writers. This book, designed and edited by co-founder Rudy VanderLans, compiles reprints from Emigre's journey—from its early bitmap designs to the experimental layouts of the "Legibility Wars" and critical writings of the early 2000s. Emigre No.70 is essential for those who missed the excitement and for long-time fans, making it a vital addition to any graphic design library. It includes interviews with notable figures like The Designers Republic and essays by prominent writers.

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Emigre No. 70, Rudy VanderLans

Język
Rok wydania
2009
Oprawa
(twarda)
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4,4
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Tytuł
Emigre No. 70
Podtytuł
The Look Back Issue. Selections from Emigre Magazine 1-69, 1984-2009
Język
angielski
Rok wydania
2009
Oprawa
twarda
Liczba stron
512
ISBN10
1584233672
ISBN13
9781584233671
Seria
Tagi
Ocena
4,4 z 5
Opis
During the late 1980s and 1990s, graphic design underwent a transformative period marked by the introduction of the Apple Macintosh and a shift in design education. Design schools began exploring French linguistic theory, while the vernacular emerged as a significant source of inspiration. The democratization of typeface design allowed anyone with a computer to participate, and New York City was no longer the sole hub for graphic design innovation. In Berkeley, California, Emigre magazine recognized these pivotal changes, becoming both a participant and observer in this dynamic international design scene. With its successful digital type foundry, Emigre gained notoriety as one of the most popular and controversial graphic design magazines of its time, publishing 69 issues that featured interviews with design pioneers and critical essays from emerging writers. This book, designed and edited by co-founder Rudy VanderLans, compiles reprints from Emigre's journey—from its early bitmap designs to the experimental layouts of the "Legibility Wars" and critical writings of the early 2000s. Emigre No.70 is essential for those who missed the excitement and for long-time fans, making it a vital addition to any graphic design library. It includes interviews with notable figures like The Designers Republic and essays by prominent writers.