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Girl Imagined by Chance

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Girl Imagined by Chance is a critifictional novel about a couple who find themselves having created a make-believe daughter (and soon a make-believe life to accompany her) in order to appease their friends, family, and the culture of reproduction. Structured around twelve photographs from a single roll of film, the book explores the nature of photography and the questions that nature raises about the notions of the simulated and the real, the media-ization of consciousness, originality, self construction, and the way we all continually fashion our faces into masks for the next shot. At its heart, Girl Imagined by Chance investigates the mystery of self-knowledge. The prevailing metaphor and structural device of photography examines the way images, in their magical ability to mimic memory, ultimately mock and eradicate it. The seemingly stable and fixed individual past turns out to be as protean and unknowable as the future. The body becomes strangely dispensable, perpetually adrift in a cybernetic world of hyperlinks and interfaces.

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Girl Imagined by Chance, Lance Olsen

Język
Rok wydania
2002
Oprawa
(miękka)
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Metody płatności

4,1
Bardzo dobra
93 Ocena

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Tytuł
Girl Imagined by Chance
Język
angielski
Rok wydania
2002
Oprawa
miękka
ISBN10
1573661031
ISBN13
9781573661034
Seria
Kategorie
Ocena
4,05 z 5
Opis
Girl Imagined by Chance is a critifictional novel about a couple who find themselves having created a make-believe daughter (and soon a make-believe life to accompany her) in order to appease their friends, family, and the culture of reproduction. Structured around twelve photographs from a single roll of film, the book explores the nature of photography and the questions that nature raises about the notions of the simulated and the real, the media-ization of consciousness, originality, self construction, and the way we all continually fashion our faces into masks for the next shot. At its heart, Girl Imagined by Chance investigates the mystery of self-knowledge. The prevailing metaphor and structural device of photography examines the way images, in their magical ability to mimic memory, ultimately mock and eradicate it. The seemingly stable and fixed individual past turns out to be as protean and unknowable as the future. The body becomes strangely dispensable, perpetually adrift in a cybernetic world of hyperlinks and interfaces.