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Reframings. New American Feminist Photographies

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  • 319 stron
  • 12 godzin czytania

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Concern about how women are represented, despite varied and often conflicting conceptions of feminism, is the underlying force in this collection. Eight critical essays grounded in feminist analysis explore the different issues that arise in these artists' visual representations, including social space, family life, child care, work, food, romance, sexuality, advertising, and consumer culture. They are feminist critics looking at feminist art, an act Diane Neumaier argues happens all too rarely as feminist critics have in the past busied themselves with critiquing dominant culture.Together these artworks and essays explore the dynamics of visual images and ideology, including expressions and interpretations of autobiographical photographic projects, self-representation of women's bodies, conflicting identities, and the relationship between photographer and photographed.

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Reframings. New American Feminist Photographies, Diane Neumaier

Język
Rok wydania
1995
Oprawa
(twarda)
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3,8
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Tytuł
Reframings. New American Feminist Photographies
Język
angielski
Rok wydania
1995
Oprawa
twarda
Liczba stron
319
ISBN10
1566393310
ISBN13
9781566393317
Seria
Ocena
3,75 z 5
Opis
Concern about how women are represented, despite varied and often conflicting conceptions of feminism, is the underlying force in this collection. Eight critical essays grounded in feminist analysis explore the different issues that arise in these artists' visual representations, including social space, family life, child care, work, food, romance, sexuality, advertising, and consumer culture. They are feminist critics looking at feminist art, an act Diane Neumaier argues happens all too rarely as feminist critics have in the past busied themselves with critiquing dominant culture.Together these artworks and essays explore the dynamics of visual images and ideology, including expressions and interpretations of autobiographical photographic projects, self-representation of women's bodies, conflicting identities, and the relationship between photographer and photographed.