Bookbot

Pleasure and change: the aesthetics of canon

Ocena książki

Więcej o książce

The question of the canon has been the subject of debate in academic circles for over fifteen years. Pleasure and Change contains two lectures on this important subject by the distinguished literary critic Sir Frank Kermode. In essays that were originally delivered as Tanner Lectures at Berkeley in November of 2001, Kermode reinterprets the question of canon formation in light of two related and central pleasure and change . He asks how aesthetic pleasure informs what we find valuable, and how this perception changes over time. Kermode also explores the role of chance, observing the connections between canon formation and unintentional and sometimes even random circumstance. Geoffrey Hartmann (Yale University), John Guillory (New York University), and Carey Perloff (director of the American Conservatory Theatre) offer incisive comments on these essays, to which Kermode responds in a lively rejoinder. The volume begins with a helpful introduction by Robert Alter. Theresult is a stimulating and accessible discussion of a highly significant cultural debate.

Zakup książki

Pleasure and change: the aesthetics of canon, Frank Kermode, Robert Alter

Język
Rok wydania
2004
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

3,5
Dobra
21 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Pleasure and change: the aesthetics of canon
Język
angielski
Rok wydania
2004
Oprawa
miękka
Liczba stron
108
ISBN10
0195309359
ISBN13
9780195309355
Seria
Ocena
3,45 z 5
Opis
The question of the canon has been the subject of debate in academic circles for over fifteen years. Pleasure and Change contains two lectures on this important subject by the distinguished literary critic Sir Frank Kermode. In essays that were originally delivered as Tanner Lectures at Berkeley in November of 2001, Kermode reinterprets the question of canon formation in light of two related and central pleasure and change . He asks how aesthetic pleasure informs what we find valuable, and how this perception changes over time. Kermode also explores the role of chance, observing the connections between canon formation and unintentional and sometimes even random circumstance. Geoffrey Hartmann (Yale University), John Guillory (New York University), and Carey Perloff (director of the American Conservatory Theatre) offer incisive comments on these essays, to which Kermode responds in a lively rejoinder. The volume begins with a helpful introduction by Robert Alter. Theresult is a stimulating and accessible discussion of a highly significant cultural debate.