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Acta Artis Academica 2020. The Colour Theme

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  • kolektiv

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Colour, and the manipulation of colour to express distance, importance, and emotions are an essential component of almost every form of fine arts. Indeed, the history of art is inseparable from the history of colours since they have always represented one of the key elements in this field. Their use dates back to the Antiquity until today undergoing to several changes according their preparation, application, conservation etc. This conference is going to focus on interdisciplinary role of the colours in the field of the fine arts encompassing several aspects such as (i) making colours (origin, provenance and ways of their production) (ii) understanding colours (via perception, chemical analysis and the painting technique evolution), (iii) changing colours (covering all aspects of degradation and the role of patina) and, finally, (iv) restoring colours - from local retouches to reconstructions (also including the virtual ones)

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Acta Artis Academica 2020. The Colour Theme, kolektiv

Język
Rok wydania
2020
Oprawa
(miękka)
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Tytuł
Acta Artis Academica 2020. The Colour Theme
Język
angielski
Autorzy
kolektiv
Rok wydania
2020
Oprawa
miękka
ISBN10
8088366143
ISBN13
9788088366140
Seria
Opis
Colour, and the manipulation of colour to express distance, importance, and emotions are an essential component of almost every form of fine arts. Indeed, the history of art is inseparable from the history of colours since they have always represented one of the key elements in this field. Their use dates back to the Antiquity until today undergoing to several changes according their preparation, application, conservation etc. This conference is going to focus on interdisciplinary role of the colours in the field of the fine arts encompassing several aspects such as (i) making colours (origin, provenance and ways of their production) (ii) understanding colours (via perception, chemical analysis and the painting technique evolution), (iii) changing colours (covering all aspects of degradation and the role of patina) and, finally, (iv) restoring colours - from local retouches to reconstructions (also including the virtual ones)