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Ledoyt

Ocena książki

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  • 227 stron
  • 8 godzin czytania

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Set in the West in the early 1900s, Emshwiller's latest novel is the story of Lotti, a young girl uncertain of her place in the world. Her mother has just married the hired man, Ledoyt (or "Old Him," as Lotti likes to say), and Lotti is terribly confused, as only an adolescent can be. Frustrated beyond endurance, she dresses as a boy and runs away, taking her younger brother, Fay, with her. A traumatic attack while on the trail brings certain benefits: Lotti begins to put the facts of her life together and comes to realize that she was the result of a rape. Lotti returns to her home and, bolstered by a new understanding of her mother and an uneasy truce with Ledoyt, finds comfort in her drawings and newfound identity. The narrative shifts between Lotti's first-person accounts and those of her family, a technique that, if sometimes distracting, does create an intimate acquaintance with each character and with family relationships. More important is Emshwiller's verbal portrait of Lotti (cleverly augmented by Lotti's journal drawings of horses and people--many engulfed in flames) and of adolescent resentment and angst. .

Zakup książki

Ledoyt, Carol Emshwiller

Język
Rok wydania
1995
Oprawa
(miękka)
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Metody płatności

4,1
Bardzo dobra
34 Ocena

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Tytuł
Ledoyt
Język
angielski
Rok wydania
1995
Oprawa
miękka
Liczba stron
227
ISBN10
1562790811
ISBN13
9781562790813
Seria
Kategorie
Ocena
4,1 z 5
Opis
Set in the West in the early 1900s, Emshwiller's latest novel is the story of Lotti, a young girl uncertain of her place in the world. Her mother has just married the hired man, Ledoyt (or "Old Him," as Lotti likes to say), and Lotti is terribly confused, as only an adolescent can be. Frustrated beyond endurance, she dresses as a boy and runs away, taking her younger brother, Fay, with her. A traumatic attack while on the trail brings certain benefits: Lotti begins to put the facts of her life together and comes to realize that she was the result of a rape. Lotti returns to her home and, bolstered by a new understanding of her mother and an uneasy truce with Ledoyt, finds comfort in her drawings and newfound identity. The narrative shifts between Lotti's first-person accounts and those of her family, a technique that, if sometimes distracting, does create an intimate acquaintance with each character and with family relationships. More important is Emshwiller's verbal portrait of Lotti (cleverly augmented by Lotti's journal drawings of horses and people--many engulfed in flames) and of adolescent resentment and angst. .