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Thinking Through Images: Narrative, Rhythm, Embodiment and Landscape in the Nordic Bronze Age

Parametry

  • 232 strony
  • 9 godzin czytania

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This book provides a general self-reflexive review and critical analysis of Scandinavian rock art from the standpoint of Chris Tilley's research in this area over the last thirty years. It offers a novel alternative theoretical perspective stressing the significance of visual narrative structure and rhythm, using musical analogies, putting particular emphasis on the embodied perception of images in a landscape context. Part I reviews the major theories and interpretative perspectives put forward to understand the images, in historical perspective, and provides a critique discussing each of the main types of motifs occurring on the rocks. Part II outlines an innovative theoretical and methodological perspective for their study stressing sequence and relationality in bodily movement from rock to rock. Part III is a detailed case study and analysis of a series of rocks from northern Bohuslan in western Sweden. The conclusions reflect on the theoretical and methodological approach being taken in relation to the disciplinary practices involved in rock art research, and its future

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Thinking Through Images: Narrative, Rhythm, Embodiment and Landscape in the Nordic Bronze Age, Christopher Tilley

Język
Rok wydania
2021
Oprawa
(miękka)
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Tytuł
Thinking Through Images: Narrative, Rhythm, Embodiment and Landscape in the Nordic Bronze Age
Język
angielski
Rok wydania
2021
Oprawa
miękka
Liczba stron
232
ISBN13
9781789257014
Seria
Tagi
Opis
This book provides a general self-reflexive review and critical analysis of Scandinavian rock art from the standpoint of Chris Tilley's research in this area over the last thirty years. It offers a novel alternative theoretical perspective stressing the significance of visual narrative structure and rhythm, using musical analogies, putting particular emphasis on the embodied perception of images in a landscape context. Part I reviews the major theories and interpretative perspectives put forward to understand the images, in historical perspective, and provides a critique discussing each of the main types of motifs occurring on the rocks. Part II outlines an innovative theoretical and methodological perspective for their study stressing sequence and relationality in bodily movement from rock to rock. Part III is a detailed case study and analysis of a series of rocks from northern Bohuslan in western Sweden. The conclusions reflect on the theoretical and methodological approach being taken in relation to the disciplinary practices involved in rock art research, and its future