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Form and Relation

Contemporary Native Ceramics

Ocena książki

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  • 104 strony
  • 4 godziny czytania

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Form and Relation showcases the versatility of ceramics and its many forms through the work of seven contemporary Indigenous artists from across what is now the United States. Bringing together recent acquisitions, commissioned works, and loans directly from artists' studios, this book urges audiences to reconsider and expand their understanding of what constitutes Native American ceramics. The catalogue highlights the innovative and critical works of renowned artists Anita Fields, Courtney M. Leonard, Cannupa Hanska Luger, Ruben Olguin, Rose B. Simpson, Kali Spitzer, and Roxanne Swentzell through stunning photography by Addison Doty and critical essays by Hood Museum curatorial staff and outside scholars. In addition to shifting expectations, Form and Relation introduces new forms that demonstrate the ability of ceramics to hold complexity and wrestle with concepts like community, identity, gender, land, extraction, global climate change, colonialism, language, and responsibility.Exhibition Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1–August 2, 2020

Zakup książki

Form and Relation, Jami C Powell, Anya Montiel, Sequoia Miller, Courtney M Leonard, Morgan E Freeman

Język
Rok wydania
2020
Oprawa
(miękka)
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Tytuł
Form and Relation
Podtytuł
Contemporary Native Ceramics
Język
angielski
Rok wydania
2020
Oprawa
miękka
Liczba stron
104
ISBN13
9780944722534
Seria
Ocena
4 z 5
Opis
Form and Relation showcases the versatility of ceramics and its many forms through the work of seven contemporary Indigenous artists from across what is now the United States. Bringing together recent acquisitions, commissioned works, and loans directly from artists' studios, this book urges audiences to reconsider and expand their understanding of what constitutes Native American ceramics. The catalogue highlights the innovative and critical works of renowned artists Anita Fields, Courtney M. Leonard, Cannupa Hanska Luger, Ruben Olguin, Rose B. Simpson, Kali Spitzer, and Roxanne Swentzell through stunning photography by Addison Doty and critical essays by Hood Museum curatorial staff and outside scholars. In addition to shifting expectations, Form and Relation introduces new forms that demonstrate the ability of ceramics to hold complexity and wrestle with concepts like community, identity, gender, land, extraction, global climate change, colonialism, language, and responsibility.Exhibition Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1–August 2, 2020