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Cecilia Vicuña: Deer Book (Signed Copy)

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  • 252 strony
  • 9 godzin czytania

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The fruition of decades of labor, Vicuña’s poetical works on the cosmologies and myths of the deer are now realized in a gorgeously designed artist’s book Inspired initially by Jerome Rothenberg’s translation Flower World Variations , which Cecilia Vicuña (born 1948) first encountered in 1985, Cecilia Vicuñ Deer Book brings together nearly 40 years of the artist’s poetry, "poethical" translations and drawings related to cosmologies and mythologies surrounding the deer, and sacrificial dance in cultures around the world. Woven like one of her quipu installations, Vicuña’s texts―which include original compositions in Spanish as well as English translations by Daniel Borzutzky―become meditations on translation, not just of the sacred nature of this animal but on how our understandings of ceremony and ritual are transformed by this ongoing process. Taken as inspiration rather than conundrum, the impossibility of translation opens up poetic possibilities for Vicuña as she continues her lifelong exploration into the nature of communication across eras and distant lands, languages and shared symbols within Indigenous spiritualities.

Zakup książki

Cecilia Vicuña: Deer Book (Signed Copy), Cecilia Vicuña

Język
Rok wydania
2023
Oprawa
(twarda)
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Tytuł
Cecilia Vicuña: Deer Book (Signed Copy)
Język
angielski
Rok wydania
2023
Oprawa
twarda
Liczba stron
252
ISBN13
9781955161442
Seria
Ocena
5 z 5
Opis
The fruition of decades of labor, Vicuña’s poetical works on the cosmologies and myths of the deer are now realized in a gorgeously designed artist’s book Inspired initially by Jerome Rothenberg’s translation Flower World Variations , which Cecilia Vicuña (born 1948) first encountered in 1985, Cecilia Vicuñ Deer Book brings together nearly 40 years of the artist’s poetry, "poethical" translations and drawings related to cosmologies and mythologies surrounding the deer, and sacrificial dance in cultures around the world. Woven like one of her quipu installations, Vicuña’s texts―which include original compositions in Spanish as well as English translations by Daniel Borzutzky―become meditations on translation, not just of the sacred nature of this animal but on how our understandings of ceremony and ritual are transformed by this ongoing process. Taken as inspiration rather than conundrum, the impossibility of translation opens up poetic possibilities for Vicuña as she continues her lifelong exploration into the nature of communication across eras and distant lands, languages and shared symbols within Indigenous spiritualities.