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Black Orpheus

Music in African American Fiction from the Harlem Renaissance to Toni Morrison

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  • 304 strony
  • 11 godzin czytania

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The legendary Greek figure Orpheus is renowned for his magical ability to influence all things through his lyre and voice. This Orphic theme symbolizes music's power to disrupt oppressive realities, liberating the soul and expanding human existence. In twentieth-century African American literature, the liberating effect of music has been particularly significant. The nine essays in this collection explore the Orphic theme in the works of notable African American writers, including Jean Toomer, Langston Hughes, Claude McKay, and Toni Morrison. These authors portray music as a mystical and spiritual force capable of transforming both individual souls and broader realities. Musicians wield their art as a protective weapon for their spirituality. Written by scholars from diverse fields such as English, music, and cultural studies, the essays delve into the thematic and structural roles of music in twentieth-century African American fiction. Topics include the relationship between music and identity, the intersection of gender and music, and the cultural politics of music in the works of various authors. This interdisciplinary collection ultimately highlights the profound impact of music in shaping narratives and experiences within African American literature.

Zakup książki

Black Orpheus, Saadi a Simawe

Język
Rok wydania
2000
Oprawa
(twarda)
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2,7
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3 Ocena

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Tytuł
Black Orpheus
Podtytuł
Music in African American Fiction from the Harlem Renaissance to Toni Morrison
Język
angielski
Rok wydania
2000
Oprawa
twarda
Liczba stron
304
ISBN13
9780815331230
Seria
Ocena
2,65 z 5
Opis
The legendary Greek figure Orpheus is renowned for his magical ability to influence all things through his lyre and voice. This Orphic theme symbolizes music's power to disrupt oppressive realities, liberating the soul and expanding human existence. In twentieth-century African American literature, the liberating effect of music has been particularly significant. The nine essays in this collection explore the Orphic theme in the works of notable African American writers, including Jean Toomer, Langston Hughes, Claude McKay, and Toni Morrison. These authors portray music as a mystical and spiritual force capable of transforming both individual souls and broader realities. Musicians wield their art as a protective weapon for their spirituality. Written by scholars from diverse fields such as English, music, and cultural studies, the essays delve into the thematic and structural roles of music in twentieth-century African American fiction. Topics include the relationship between music and identity, the intersection of gender and music, and the cultural politics of music in the works of various authors. This interdisciplinary collection ultimately highlights the profound impact of music in shaping narratives and experiences within African American literature.