Bookbot

Learning to Look. A Handbook for the Visual Arts

Ocena książki

Więcej o książce

Sometimes seeing is more difficult for the student of art than believing. Taylor, in a book that has sold more than 300,000 copies since its original publication in 1957, has helped two generations of art students "learn to look."This handy guide to the visual arts is designed to provide a comprehensive view of art, moving from the analytic study of specific works to a consideration of broad principles and technical matters. Forty-four carefully selected illustrations afford an excellent sampling of the wide range of experience awaiting the explorer.The second edition of Learning to Look includes a new chapter on twentieth-century art. Taylor's thoughtful discussion of pure forms and our responses to them gives the reader a few useful starting points for looking at art that does not reproduce nature and for understanding the distance between contemporary figurative art and reality.

Zakup książki

Learning to Look. A Handbook for the Visual Arts, Joshua Charles Taylor

Język
Rok wydania
1981
Oprawa
(miękka),
Stan książki
Bardzo dobry
Cena
17,69 zł

Metody płatności

3,5
Dobra
149 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Learning to Look. A Handbook for the Visual Arts
Język
angielski
Rok wydania
1981
Oprawa
miękka
ISBN10
0226791548
ISBN13
9780226791548
Seria
Ocena
3,5 z 5
Opis
Sometimes seeing is more difficult for the student of art than believing. Taylor, in a book that has sold more than 300,000 copies since its original publication in 1957, has helped two generations of art students "learn to look."This handy guide to the visual arts is designed to provide a comprehensive view of art, moving from the analytic study of specific works to a consideration of broad principles and technical matters. Forty-four carefully selected illustrations afford an excellent sampling of the wide range of experience awaiting the explorer.The second edition of Learning to Look includes a new chapter on twentieth-century art. Taylor's thoughtful discussion of pure forms and our responses to them gives the reader a few useful starting points for looking at art that does not reproduce nature and for understanding the distance between contemporary figurative art and reality.