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Eine Weltgeschichte des Tanzes

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Curt Sachs (1881-1959) was a prominent figure in musicology, serving as a professor at Humboldt University and as the director of the National Museum of Musical Instruments in Berlin until 1933. His contributions to the field include several significant publications on musical instruments that remain valuable today. Notably, his 'Real-Lexikon der Musikinstrumente' is recognized for its encyclopedic scope. Other important works include 'Die Musikinstrumentenkunde', 'Musikinstrumente Indiens und Indonesiens', and 'Handbuch der Musikinstrumentenkunde'. Sachs also conducted historical research, exemplified by 'Musikgeschichte der Stadt Berlin'. His most acclaimed work, 'Eine Weltgeschichte des Tanzes', is regarded as a landmark study that explores the phenomenon of dance from both anthropological and cultural-historical perspectives. In this work, Sachs adeptly connects the fundamental forms of dance with later social dance styles through shared principles.

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Eine Weltgeschichte des Tanzes, Curt Sachs

Język
Rok wydania
1976
Oprawa
(miękka)
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Tytuł
Eine Weltgeschichte des Tanzes
Język
niemiecki
Autorzy
Curt Sachs
Wydawca
Olms
Rok wydania
1976
Oprawa
miękka
ISBN10
3487060868
ISBN13
9783487060866
Seria
Opis
Curt Sachs (1881-1959) was a prominent figure in musicology, serving as a professor at Humboldt University and as the director of the National Museum of Musical Instruments in Berlin until 1933. His contributions to the field include several significant publications on musical instruments that remain valuable today. Notably, his 'Real-Lexikon der Musikinstrumente' is recognized for its encyclopedic scope. Other important works include 'Die Musikinstrumentenkunde', 'Musikinstrumente Indiens und Indonesiens', and 'Handbuch der Musikinstrumentenkunde'. Sachs also conducted historical research, exemplified by 'Musikgeschichte der Stadt Berlin'. His most acclaimed work, 'Eine Weltgeschichte des Tanzes', is regarded as a landmark study that explores the phenomenon of dance from both anthropological and cultural-historical perspectives. In this work, Sachs adeptly connects the fundamental forms of dance with later social dance styles through shared principles.