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Selected paintings

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  • 132 strony
  • 5 godzin czytania

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Francisco de Zurbarán (1598–1664) was one of the great Spanish painters of the Baroque period. Today, his idiosyncratic, very Catholic imagery fascinates us even as it has become alien and, in essence, inaccessible. In its aesthetic-religious dimension, his work—indebted to the Spanish mysticism of the sixteenth and seventeenth centuries—possesses a unique depth and rigor. Christ on the cross, dead martyrs and saints in reverie, meditating monks, the superiors of monastic orders that today have almost ceased to exist: In his mostly dark paintings, they are depicted so realistically, one feels one could reach out and touch them. And yet they also seem to be emissaries from another world. For Zurbarán, a contemporary of Velázquez and Murillo, painting and religious meditation were complementary aspects of spiritual observance. Perhaps it is precisely this quality in his art that makes his paintings the center of our interest today. The famous Dutch writer Cees Nooteboom, a connoisseur of Spain with a second home on Menorca, a man of the image and an eloquent admirer of Zurbarán’s paintings, has written a brilliant introduction to the conceptual and pictorial world of this enigmatic artist.

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Selected paintings, Francisco de Zurbarán

Język
Rok wydania
2011
Oprawa
(twarda)
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3,6
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Tytuł
Selected paintings
Język
angielski
Rok wydania
2011
Oprawa
twarda
Liczba stron
132
ISBN10
3829605455
ISBN13
9783829605458
Seria
Tagi
Sztuka
Ocena
3,6 z 5
Opis
Francisco de Zurbarán (1598–1664) was one of the great Spanish painters of the Baroque period. Today, his idiosyncratic, very Catholic imagery fascinates us even as it has become alien and, in essence, inaccessible. In its aesthetic-religious dimension, his work—indebted to the Spanish mysticism of the sixteenth and seventeenth centuries—possesses a unique depth and rigor. Christ on the cross, dead martyrs and saints in reverie, meditating monks, the superiors of monastic orders that today have almost ceased to exist: In his mostly dark paintings, they are depicted so realistically, one feels one could reach out and touch them. And yet they also seem to be emissaries from another world. For Zurbarán, a contemporary of Velázquez and Murillo, painting and religious meditation were complementary aspects of spiritual observance. Perhaps it is precisely this quality in his art that makes his paintings the center of our interest today. The famous Dutch writer Cees Nooteboom, a connoisseur of Spain with a second home on Menorca, a man of the image and an eloquent admirer of Zurbarán’s paintings, has written a brilliant introduction to the conceptual and pictorial world of this enigmatic artist.