Bookbot

Storm Over Asia

Parametry

  • 128 stron
  • 5 godzin czytania

Więcej o książce

'Storm over Asia' ('The Heir to Genghis Khan') was the third of Vsevolod Pudovkin's great silent films. Released in 1928 it confirmed the director's reputation and Soviet cinema's growing stature internationally. It was subsequently re-edited, sonorised and re-released in 1949.The Buriat-Mongolian actor Valeri Inkizhinov stars as the trapper hero, Bair, a character partly inspired by the actual Revolutionary figure, Sukhebator. Many of the extras in the film had participated in the events depicted. The film acknowledges a debt to D.W. Griffith and documents the everyday life and rituals of the people living around Lake Baikal, a culture that was almost entirely suppressed in the 1930s.This KINOfile describes the circumstances under which 'Storm over Asia' was produced and distributed and discusses the warm reception of the film in Russia, Germany and France. In Britain the film was widely understood as an attack on British involvement in the Russian Civil War and on colonial policy in China and India - and was banned. Amy Sargeant also examines the potency of the Genghis Khan myth for a Soviet audience, and the continuing resonance of this fine film.

Zakup książki

Storm Over Asia, Amy Sargeant

Język
Rok wydania
2007
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

Nikt jeszcze nie ocenił.Oceń

Tytuł
Storm Over Asia
Język
angielski
Rok wydania
2007
Oprawa
miękka
Liczba stron
128
ISBN10
1845113748
ISBN13
9781845113742
Seria
Kategorie
Opis
'Storm over Asia' ('The Heir to Genghis Khan') was the third of Vsevolod Pudovkin's great silent films. Released in 1928 it confirmed the director's reputation and Soviet cinema's growing stature internationally. It was subsequently re-edited, sonorised and re-released in 1949.The Buriat-Mongolian actor Valeri Inkizhinov stars as the trapper hero, Bair, a character partly inspired by the actual Revolutionary figure, Sukhebator. Many of the extras in the film had participated in the events depicted. The film acknowledges a debt to D.W. Griffith and documents the everyday life and rituals of the people living around Lake Baikal, a culture that was almost entirely suppressed in the 1930s.This KINOfile describes the circumstances under which 'Storm over Asia' was produced and distributed and discusses the warm reception of the film in Russia, Germany and France. In Britain the film was widely understood as an attack on British involvement in the Russian Civil War and on colonial policy in China and India - and was banned. Amy Sargeant also examines the potency of the Genghis Khan myth for a Soviet audience, and the continuing resonance of this fine film.