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  • 106 stron
  • 4 godziny czytania

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Martin Pfeifle's installations often monopolise the entire space in which they are exhibited. Seen as a temporary infringement, they overwhelm the viewer with space-filling, all-prevailing gestures. The viewer experiences this directly, becomes part of the work, part of an experience that extends far beyond the specific space situation. Pfeifle's absolutely unpretentious, and at the same time sensual and sensuous, handling of modern materials reveals a new view of the sculpture and of the aesthetic perception. Pfeifle uses green carpet for his Isidor installation in Goch: a huge ramp extends into the depths of the space, leaving scarcely any room for visitors to enter. In other works, the carpet material itself becomes the sculpture; it becomes a carrier of visual, aesthetic and existential experiences and simultaneously a medium in the concrete space of the conceptual themes. Published alongside the exhibition of the same name at Museum Goch, April - June 2009. English and German text.

Zakup książki

Martin Pfeifle, Martin Pfeifle, Gudrun Bott, Philipp Fürnkäs

Język
Rok wydania
2009
Oprawa
(miękka)
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Tytuł
Martin Pfeifle
Podtytuł
Isidor
Język
angielski
Wydawca
Kerber
Rok wydania
2009
Oprawa
miękka
Liczba stron
106
ISBN10
3866782837
ISBN13
9783866782839
Seria
Kategorie
Opis
Martin Pfeifle's installations often monopolise the entire space in which they are exhibited. Seen as a temporary infringement, they overwhelm the viewer with space-filling, all-prevailing gestures. The viewer experiences this directly, becomes part of the work, part of an experience that extends far beyond the specific space situation. Pfeifle's absolutely unpretentious, and at the same time sensual and sensuous, handling of modern materials reveals a new view of the sculpture and of the aesthetic perception. Pfeifle uses green carpet for his Isidor installation in Goch: a huge ramp extends into the depths of the space, leaving scarcely any room for visitors to enter. In other works, the carpet material itself becomes the sculpture; it becomes a carrier of visual, aesthetic and existential experiences and simultaneously a medium in the concrete space of the conceptual themes. Published alongside the exhibition of the same name at Museum Goch, April - June 2009. English and German text.