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The Visual Story

Seeing the Structure of Film, TV, and New Media

Ocena książki

Parametry

  • 288 stron
  • 11 godzin czytania

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The Visual Story offers students and professionals in cinematography, production design, directing and screenwriting a clear view of the relationship between the story/script structure and the visual structure of a film or video. An understanding of the visual components will serve as the guide in the selection of locations, set dressing, props, wardrobe, lenses, camera positions, lighting, actor staging, and editorial choices.The Visual Story divides what is seen on screen into tangible contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.

Zakup książki

The Visual Story, Bruce A. Block

Język
Rok wydania
2001
Oprawa
(miękka)
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Metody płatności

4,2
Bardzo dobra
110 Ocena

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Tytuł
The Visual Story
Podtytuł
Seeing the Structure of Film, TV, and New Media
Język
angielski
Rok wydania
2001
Oprawa
miękka
Liczba stron
288
ISBN10
0240804678
ISBN13
9780240804675
Seria
Ocena
4,2 z 5
Opis
The Visual Story offers students and professionals in cinematography, production design, directing and screenwriting a clear view of the relationship between the story/script structure and the visual structure of a film or video. An understanding of the visual components will serve as the guide in the selection of locations, set dressing, props, wardrobe, lenses, camera positions, lighting, actor staging, and editorial choices.The Visual Story divides what is seen on screen into tangible contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.