Boris Godunov

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The tale of Boris Godunov―tsar, usurper, tsarecide―dating from the early seventeenth-century Time of Troubles, inspired three major nineteenth-century Russian cultural in history by Nikolai Karamzin, in drama by Alexander Pushkin, and in opera by Modest Musorgsky. Each of these famous creations was a vehicle for generic innovation, in which a specifically Russian concept of genre was asserted in opposition to the reigning European German historiography, French melodrama, and Italian opera. Within a Bakhtinian framework, Caryl Emerson explores these three versions of the Boris Tale, the context of their genesis, and their complex interrelationships.