Neoclassicism in the North

Więcej o książce

When Crown Prince Gustaf returned from Versailles in 1771 to ascend the throne of Sweden, he aimed to elevate his country’s cultural and political standing in Europe. He championed Neoclassicism, an international movement reflected in the interiors showcased, which echo Louis XVI and Empire styles. The furniture exhibits influences from French, English, and German designs, as well as inspirations from Pompeii, all imbued with a distinct Swedish freshness and northern light. Hakan Groth and Fritz von der Schulenburg reveal an astonishing array of interiors, from royal salons to modest Biedermeier halls, including some intensely private spaces that remain largely unknown even in Sweden. The evocative photographs, specially taken for this work, detail the decoration and furnishings of twenty houses and apartments. The accompanying text traces the evolution of Neoclassical style in Sweden within a broader European context, exploring each building's history. Plans and original drawings by architects and designers further enrich the narrative. These exquisite interiors hold unique value today, serving as treasure troves of craftsmanship, inspiration for contemporary decorators, and a reminder that an international language can be expressed in a personal manner. Color and black-and-white photographs throughout enhance the visual experience.