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Behind Photographs

Archiving Photographic Legends

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  • 208 stron
  • 8 godzin czytania

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BEHIND PHOTOGRAPHS: ARCHIVING PHOTOGRAPHIC LEGENDS began as the personal quest of photographer Tim Mantoani to document and preserve noted photographers together with their images. "We have come to a point in history where we are losing both photographic recording mediums and iconic photographers," Mantoani comments. "While many people are familiar with iconic photographs, the general public has no idea of who created them. This book became a means to do that, the photographer and their photograph in one image." As to why he is using a soon-to-be-extinct photographic medium only a handful of which survive, the 20�24 Polaroid, Mantoani explains, "I chose the format for two reasons. First, it is very possible that in just a few years, film for this camera will no longer exist. Second, to me this is the ultimate view camera. If you are going to call the greatest living photographers and ask to make a photo of them and you are shooting 35mm digital, they may not take your call. But if you say you are shooting 20�24 Polaroid, they will at least listen to your pitch."

Zakup książki

Behind Photographs, Mark L. Murphy, Tim Mantoani

Język
Rok wydania
2012
Oprawa
(twarda)
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Tytuł
Behind Photographs
Podtytuł
Archiving Photographic Legends
Język
angielski
Rok wydania
2012
Oprawa
twarda
Liczba stron
208
ISBN10
0982613792
ISBN13
9780982613795
Seria
Tagi
Ocena
4,5 z 5
Opis
BEHIND PHOTOGRAPHS: ARCHIVING PHOTOGRAPHIC LEGENDS began as the personal quest of photographer Tim Mantoani to document and preserve noted photographers together with their images. "We have come to a point in history where we are losing both photographic recording mediums and iconic photographers," Mantoani comments. "While many people are familiar with iconic photographs, the general public has no idea of who created them. This book became a means to do that, the photographer and their photograph in one image." As to why he is using a soon-to-be-extinct photographic medium only a handful of which survive, the 20�24 Polaroid, Mantoani explains, "I chose the format for two reasons. First, it is very possible that in just a few years, film for this camera will no longer exist. Second, to me this is the ultimate view camera. If you are going to call the greatest living photographers and ask to make a photo of them and you are shooting 35mm digital, they may not take your call. But if you say you are shooting 20�24 Polaroid, they will at least listen to your pitch."