Parametry
- 168 stron
- 6 godzin czytania
Więcej o książce
The current economic situation and society’s low confidence in its institutions demands that artists become more imaginative in their self-organization. If labels such as ‘alternative,’ ‘non-profit’ and ‘artist-run’ dominated the self-organized art scene of the late nineties, the separatist position implied by the use of these terms has been moderated during the intervening years. This new anthology of accounts from the frontline includes contributions by artist practitioners as well as their institutional counterparts providing a fascinating account of the art world as a matrix of positions where the balance of power and productivity constantly shifts. Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Zakup książki
Self-Organized, Julie Ault, Maibritt Borgen, Céline Condorelli, Johan Frederik Hartle, Anthony Davies, Stephan Dillemuth, Jakob Jakobsen, Ekaterina Degot, Charles Esche, David Riff, Barnaby Drabble, Jonas Ekeberg, Linus Elmes, Juan A Gaitán, Abdellah Karroum, Livia Pancu, Jan Verwoert, Stine Hebert, Anne Szefer Karlsen
- Język
- Rok wydania
- 2013
- Oprawa
- (miękka)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Self-Organized
- Język
- angielski
- Autorzy
- Julie Ault, Maibritt Borgen, Céline Condorelli, Johan Frederik Hartle, Anthony Davies, Stephan Dillemuth, Jakob Jakobsen, Ekaterina Degot, Charles Esche, David Riff, Barnaby Drabble, Jonas Ekeberg, Linus Elmes, Juan A Gaitán, Abdellah Karroum, Livia Pancu, Jan Verwoert, Stine Hebert, Anne Szefer Karlsen
- Wydawca
- Open Editions
- Rok wydania
- 2013
- Oprawa
- miękka
- Liczba stron
- 168
- ISBN10
- 0949004170
- ISBN13
- 9780949004178
- Seria
- Kategorie
- Ocena
- 4 z 5
- Opis
- The current economic situation and society’s low confidence in its institutions demands that artists become more imaginative in their self-organization. If labels such as ‘alternative,’ ‘non-profit’ and ‘artist-run’ dominated the self-organized art scene of the late nineties, the separatist position implied by the use of these terms has been moderated during the intervening years. This new anthology of accounts from the frontline includes contributions by artist practitioners as well as their institutional counterparts providing a fascinating account of the art world as a matrix of positions where the balance of power and productivity constantly shifts. Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.