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Literary Practice

Volume III. Esthetics of Literary Subjects

Parametry

  • 341 stron
  • 12 godzin czytania

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Literary Practice III concludes Dushan Bresky’s major critical trilogy. Following Volume I, outlining a comprehensive method for evaluating literary art, and Volume II, analyzing the elusive stimulative qualities of style, Volume III focuses on the esthetics of literary content. Its time-tested subjects include violent and psychological conflicts, erotic bonds, as well as humorous, supernatural, fantastic, utopian, and bizarre topics. In estimating their potential impact, Bresky draws not only on the French heritage (his academic specialty) but branches into all Western literatures, ranging from the Illiad and the medieval Legenda Aurea to the novels of Samuel Beckett and John Updike. In the «Biocybernetic Epilog» written just before his death in 1998, collaborator Miroslav Malik discusses the evolution of biometric techniques designed to monitor our responses to perception and their auxiliary role in esthetic literary criticism.

Zakup książki

Literary Practice, Dushan Bresky

Język
Rok wydania
2002
Oprawa
(twarda)
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Tytuł
Literary Practice
Podtytuł
Volume III. Esthetics of Literary Subjects
Język
angielski
Wydawca
Lang
Rok wydania
2002
Oprawa
twarda
Liczba stron
341
ISBN10
0820455199
ISBN13
9780820455198
Seria
Tagi
Opis
Literary Practice III concludes Dushan Bresky’s major critical trilogy. Following Volume I, outlining a comprehensive method for evaluating literary art, and Volume II, analyzing the elusive stimulative qualities of style, Volume III focuses on the esthetics of literary content. Its time-tested subjects include violent and psychological conflicts, erotic bonds, as well as humorous, supernatural, fantastic, utopian, and bizarre topics. In estimating their potential impact, Bresky draws not only on the French heritage (his academic specialty) but branches into all Western literatures, ranging from the Illiad and the medieval Legenda Aurea to the novels of Samuel Beckett and John Updike. In the «Biocybernetic Epilog» written just before his death in 1998, collaborator Miroslav Malik discusses the evolution of biometric techniques designed to monitor our responses to perception and their auxiliary role in esthetic literary criticism.