Bookbot

Changing Stories in the Chinese World

Autorzy

Ocena książki

Więcej o książce

This book innovatively explores the experience of being Chinese since the early nineteenth century, positing that lives are shaped by stories—both inherited and self-created. The author interprets significant narratives that have influenced Chinese lives over the past two centuries, revealing a complex historical tapestry rather than a singular Chinese identity. It begins with Li Ruzhen's *Destinies of the Flowers in the Mirror*, reflecting the educated Chinese world before major Western influences. In contrast, Zhang Yingchang's *Our Dynasty's Bell of Poesy* captures the lives of peasants, women, artisans, soldiers, and prisoners. The 1930s bestseller *Tides in the Human Sea* illustrates the 'crisis of absurdity' during the onset of modernization, where feelings clash with traditional behaviors. Hao Ran's *Children of the Western Sands*, a popular Communist work from the early 1970s, invites empathy for Maoist idealism. Sima Zhongyuan's *The Bastard* interprets the Communist revolution through traditional religious lenses, viewing it as a punishment for societal transgressions. Finally, Yuan Ze'nan's *A Commonplace Fellow* reflects on the fading of Chineseness in a Chinese-American context, exploring the nuances of cultural identity.

Zakup książki

Changing Stories in the Chinese World, Mark Elvin

Język
Rok wydania
1997
Oprawa
(miękka)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,0
Bardzo dobra
2 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Changing Stories in the Chinese World
Język
angielski
Autorzy
Mark Elvin
Rok wydania
1997
Oprawa
miękka
Liczba stron
282
ISBN10
0804730911
ISBN13
9780804730914
Seria
Ocena
4 z 5
Opis
This book innovatively explores the experience of being Chinese since the early nineteenth century, positing that lives are shaped by stories—both inherited and self-created. The author interprets significant narratives that have influenced Chinese lives over the past two centuries, revealing a complex historical tapestry rather than a singular Chinese identity. It begins with Li Ruzhen's *Destinies of the Flowers in the Mirror*, reflecting the educated Chinese world before major Western influences. In contrast, Zhang Yingchang's *Our Dynasty's Bell of Poesy* captures the lives of peasants, women, artisans, soldiers, and prisoners. The 1930s bestseller *Tides in the Human Sea* illustrates the 'crisis of absurdity' during the onset of modernization, where feelings clash with traditional behaviors. Hao Ran's *Children of the Western Sands*, a popular Communist work from the early 1970s, invites empathy for Maoist idealism. Sima Zhongyuan's *The Bastard* interprets the Communist revolution through traditional religious lenses, viewing it as a punishment for societal transgressions. Finally, Yuan Ze'nan's *A Commonplace Fellow* reflects on the fading of Chineseness in a Chinese-American context, exploring the nuances of cultural identity.