Bookbot

Art of the Senses

African Masterpieces from the Teel Collection

Ocena książki

Parametry

  • 224 strony
  • 8 godzin czytania

Więcej o książce

How the "unique" look of African art captured the imagination of artists such as Picasso and Stieglitz is well known. But how do art aficionados today see African objects? And how does our view compare to the way in which these objects were seen in Africa? Presenting the William and Bertha Teel Collection for the first time, this book provides a chance to think about how our vision of such objects is shaped by the "ethnographic," "primitive," or "modern" labels that have been applied in the West, and to compare it to how those same works were viewed in their birthplace. Lavish, full-color illustrations of over 100 choice objects combine forces with essays by leading African art specialists Suzanne Preston Blier, Michael Kan, and Edmund B. Gaither, and object descriptions by the collector himself, to provide a thoughtful and visually stimulating examination of these important African forms--as well as of the dynamic relationship among their creators, their original cultural contexts, and the Western viewing public.

Zakup książki

Art of the Senses, Michael Kan, Suzanne Preston Blier, Edmund Gaither

Język
Rok wydania
2004
Oprawa
(twarda)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,5
Bardzo dobra
2 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Art of the Senses
Podtytuł
African Masterpieces from the Teel Collection
Język
angielski
Rok wydania
2004
Oprawa
twarda
Liczba stron
224
ISBN10
0878466592
ISBN13
9780878466597
Seria
Ocena
4,5 z 5
Opis
How the "unique" look of African art captured the imagination of artists such as Picasso and Stieglitz is well known. But how do art aficionados today see African objects? And how does our view compare to the way in which these objects were seen in Africa? Presenting the William and Bertha Teel Collection for the first time, this book provides a chance to think about how our vision of such objects is shaped by the "ethnographic," "primitive," or "modern" labels that have been applied in the West, and to compare it to how those same works were viewed in their birthplace. Lavish, full-color illustrations of over 100 choice objects combine forces with essays by leading African art specialists Suzanne Preston Blier, Michael Kan, and Edmund B. Gaither, and object descriptions by the collector himself, to provide a thoughtful and visually stimulating examination of these important African forms--as well as of the dynamic relationship among their creators, their original cultural contexts, and the Western viewing public.