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The Art of Gandhara in the Metropolitan Museum of Art

Ocena książki

Parametry

  • 128 stron
  • 5 godzin czytania

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Gandhara was an ancient region of Pakistan that controlled a series of key passes for Silk Road trade among India, China, and Mediterranean lands. This steady commerce provided the financial foundation for the sustained patronage of luxury goods as well as Buddhist monastic sites and devotional sculpture. Drawing on the collections of The Metropolitan Museum of Art, this book traces the complex and changing artistic tradition of Gandhara, from Northwest Pakistan and Eastern Afghanistan in the 2nd century BC until the 8th century.This book also explores early urban material, international trade, and the emergence and development of Buddhist art in the region, specifically addressing the relic tradition, narrative art, and iconic representations of Buddhas and bodhisattvas. The latest period of production is characterized by the fabrication of monumental imagery as well as the clay and stucco production of Afghanistan.

Zakup książki

The Art of Gandhara in the Metropolitan Museum of Art, Kurt A. Behrendt

Język
Rok wydania
2007
Oprawa
(miękka)
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4,4
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11 Ocena

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Tytuł
The Art of Gandhara in the Metropolitan Museum of Art
Język
angielski
Rok wydania
2007
Oprawa
miękka
Liczba stron
128
ISBN10
0300120273
ISBN13
9780300120271
Seria
Ocena
4,35 z 5
Opis
Gandhara was an ancient region of Pakistan that controlled a series of key passes for Silk Road trade among India, China, and Mediterranean lands. This steady commerce provided the financial foundation for the sustained patronage of luxury goods as well as Buddhist monastic sites and devotional sculpture. Drawing on the collections of The Metropolitan Museum of Art, this book traces the complex and changing artistic tradition of Gandhara, from Northwest Pakistan and Eastern Afghanistan in the 2nd century BC until the 8th century.This book also explores early urban material, international trade, and the emergence and development of Buddhist art in the region, specifically addressing the relic tradition, narrative art, and iconic representations of Buddhas and bodhisattvas. The latest period of production is characterized by the fabrication of monumental imagery as well as the clay and stucco production of Afghanistan.