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Objects Recognized in Flashes

Ausst. Kat. Museum Moderner Kunst Stiftung Ludwig Wien, 2019/20

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Objects Recognized in Flashes' is the title of a group exhibition focusing on surfaces of photographs, products, and bodies. The exhibition was developed by the curator in consultation with the artists Michele Abeles, Annette Kelm, Josephine Pryde, and Eileen Quinlan. It asks how our largely mediatized society deals with and relates analogue and digital images. How are relations between material and immateriality, body, screen and photographic surface constituted? In our contemporary consumer culture, products and questions of commodity aesthetics are becoming more and more significant. This is not without consequences for our use of photographic images. Ubiquitous advertising, marketing, and product presentation create imaginary visual standards that have now become a firm fixture of our self representations in photos on social media platforms. The works by the four artists in the exhibition respond both in respect to each other, and to this changing context.

Zakup książki

Objects Recognized in Flashes, Josephine Pryde, Juliane Rebentisch, Matthias Michalka, Gerrit Jackson, Annette Kelm, Tom McDonough, Ferguson., Michele Abeles, Eileen Quinlan, Helen

Język
Rok wydania
2019
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Tytuł
Objects Recognized in Flashes
Podtytuł
Ausst. Kat. Museum Moderner Kunst Stiftung Ludwig Wien, 2019/20
Język
angielski
Liczba stron
249
ISBN10
3960987323
ISBN13
9783960987321
Seria
Opis
Objects Recognized in Flashes' is the title of a group exhibition focusing on surfaces of photographs, products, and bodies. The exhibition was developed by the curator in consultation with the artists Michele Abeles, Annette Kelm, Josephine Pryde, and Eileen Quinlan. It asks how our largely mediatized society deals with and relates analogue and digital images. How are relations between material and immateriality, body, screen and photographic surface constituted? In our contemporary consumer culture, products and questions of commodity aesthetics are becoming more and more significant. This is not without consequences for our use of photographic images. Ubiquitous advertising, marketing, and product presentation create imaginary visual standards that have now become a firm fixture of our self representations in photos on social media platforms. The works by the four artists in the exhibition respond both in respect to each other, and to this changing context.