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Spiritual and Demonic Magic

From Ficino to Campanella

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First published by the Warburg Institute in 1958, this book is considered a landmark in Renaissance studies. Whereas most scholars had tended to view magic as a marginal subject, Walker showed that magic was one of the most typical creations of the late fifteenth and sixteenth centuries. Walker takes readers through the magical concerns of some of the greatest thinkers of the Renaissance, from Marsilio Ficino, Giovanni Pico della Mirandola, and Jacques Lefevre d'Etaples to Jean Bodin, Francis Bacon, and Tommaso Campanella. Ultimately he demonstrates that magic was interconnected with religion, music, and medicine, all of which were central to the Renaissance notion of spiritus. Remarkable for its clarity of writing, this book is still considered essential reading for students seeking to understand the assumptions, beliefs, and convictions that informed the thinking of the Renaissance. This edition features a new introduction by Brian Copenhaver, one of our leading experts on the place of magic in intellectual history. D.P. Walker (1914-1985) was trained at Oxford and spent most of his career at the Warburg Institute of the University of London. His other books are The Decline of Hell (Warburg, 1964), The Ancient Theology (Duckworth, 1972), and Unclean Spirits: Possession and Exorcism in France and England in the Late Sixteenth and Early Seventeenth Centuries (Scolar, 1981).

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Spiritual and Demonic Magic, Daniel Pickering Walker

Język
Rok wydania
1975
Oprawa
(miękka)
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3,5
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2 Ocena

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Tytuł
Spiritual and Demonic Magic
Podtytuł
From Ficino to Campanella
Język
angielski
Rok wydania
1975
Oprawa
miękka
Liczba stron
251
ISBN10
0268016704
ISBN13
9780268016708
Seria
Ocena
3,5 z 5
Opis
First published by the Warburg Institute in 1958, this book is considered a landmark in Renaissance studies. Whereas most scholars had tended to view magic as a marginal subject, Walker showed that magic was one of the most typical creations of the late fifteenth and sixteenth centuries. Walker takes readers through the magical concerns of some of the greatest thinkers of the Renaissance, from Marsilio Ficino, Giovanni Pico della Mirandola, and Jacques Lefevre d'Etaples to Jean Bodin, Francis Bacon, and Tommaso Campanella. Ultimately he demonstrates that magic was interconnected with religion, music, and medicine, all of which were central to the Renaissance notion of spiritus. Remarkable for its clarity of writing, this book is still considered essential reading for students seeking to understand the assumptions, beliefs, and convictions that informed the thinking of the Renaissance. This edition features a new introduction by Brian Copenhaver, one of our leading experts on the place of magic in intellectual history. D.P. Walker (1914-1985) was trained at Oxford and spent most of his career at the Warburg Institute of the University of London. His other books are The Decline of Hell (Warburg, 1964), The Ancient Theology (Duckworth, 1972), and Unclean Spirits: Possession and Exorcism in France and England in the Late Sixteenth and Early Seventeenth Centuries (Scolar, 1981).