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Musorgsky and His Circle

A Russian Musical Adventure

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The emergence of Russian classical music in the nineteenth century, following Mikhail Glinka, is a remarkable story. In the 1860s, five talented composers in St. Petersburg—Mily Balakirev, César Cui, Alexander Borodin, Nikolay Rimsky-Korsakov, and Modest Musorgsky—despite minimal technical training, created some of the most beloved music in history. Stephen Walsh presents a vivid portrait of this group, known as the Five or moguchaya kuchka (the Mighty Little Heap). These friends and competitors reflect the cultural ferment of their time. The narrative is rich with detail, showcasing Borodin composing while conducting chemistry research, Balakirev mentoring Musorgsky, and Cui producing operas amid his military career. Musorgsky's journey from writing songs to creating the monumental Boris Godunov, all while battling poverty and depression, is particularly compelling. Influential figures like Vissarion Belinsky and Nikolay Chernïshevsky shape the cultural landscape, with critic Vladimir Stasov providing often combative support. Stephen Walsh, an accomplished musical scholar and biographer, adeptly tells this story with insight and flair, making the account both significant and enjoyable.

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Musorgsky and His Circle, Stephen Walsh

Język
Rok wydania
2013
Oprawa
(twarda)
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Metody płatności

4,5
Bardzo dobra
2 Ocena

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Tytuł
Musorgsky and His Circle
Podtytuł
A Russian Musical Adventure
Język
angielski
Wydawca
Knopf
Rok wydania
2013
Oprawa
twarda
Liczba stron
469
ISBN10
0385353855
ISBN13
9780385353854
Seria
Ocena
4,5 z 5
Opis
The emergence of Russian classical music in the nineteenth century, following Mikhail Glinka, is a remarkable story. In the 1860s, five talented composers in St. Petersburg—Mily Balakirev, César Cui, Alexander Borodin, Nikolay Rimsky-Korsakov, and Modest Musorgsky—despite minimal technical training, created some of the most beloved music in history. Stephen Walsh presents a vivid portrait of this group, known as the Five or moguchaya kuchka (the Mighty Little Heap). These friends and competitors reflect the cultural ferment of their time. The narrative is rich with detail, showcasing Borodin composing while conducting chemistry research, Balakirev mentoring Musorgsky, and Cui producing operas amid his military career. Musorgsky's journey from writing songs to creating the monumental Boris Godunov, all while battling poverty and depression, is particularly compelling. Influential figures like Vissarion Belinsky and Nikolay Chernïshevsky shape the cultural landscape, with critic Vladimir Stasov providing often combative support. Stephen Walsh, an accomplished musical scholar and biographer, adeptly tells this story with insight and flair, making the account both significant and enjoyable.