Parametry
- 176 stron
- 7 godzin czytania
Więcej o książce
Starting with Dostoevsky's Bakhtin and Nabokov as Intertextualists, by John Burt Foster, Jr. A Character's Indictment of Authorial The Parody of Texts in Roberto G. Fernandez's Fiction, by Jorge Febles Federated Balzac's Lost Illusions and Melville's Pierre, by Benjamin Sherwood Lawson Texts Engendering A Québecois Rewriting of American Novels, by Anne Marie Miraglia Silone's "Moses" at the Bitter Exodus as Subtext, by Marisa Gatti-Taylor Poetry and Intertextuality in the Works of José Angel Valente, by Anita M. Hart Placing Source in Greed and McTeague, by Mary Lawlor Desica's Bicycle Thieves and the Attack on the Classical Hollywood Film, by Gerard Molyneaux Pictures of Reference and Reality in Two Script Versions of Potemkin, by Bruce E. Fleming The Compound Genre Billy the Kid Versus Dracula meets The Harvey Girls, by Adam Knee Emblematic Benches by Tom Phillips, by Erdmute Wenzel WhiteElaine D. Cancalon and Antoine Spacagna teach in the Department of Modern Languages at Florida State University.
Zakup książki
Intertextuality in Literature and Film, Elaine Davis Cancalon, Antoine Spacagna
- Język
- Rok wydania
- 1994
- Oprawa
- (miękka)
Metody płatności
Nikt jeszcze nie ocenił.
- Tytuł
- Intertextuality in Literature and Film
- Podtytuł
- Selected Papers from the Thirteenth Annual Florida State University Conference on Literature and Film
- Język
- angielski
- Wydawca
- University Press of Florida
- Rok wydania
- 1994
- Oprawa
- miękka
- Liczba stron
- 176
- ISBN10
- 0813012872
- ISBN13
- 9780813012872
- Seria
- Tagi
- USA, Tematyka filmowa, Krytyka literacka, Sztuki performatywne, Krytyka filmowa, Intertekstualność
- Opis
- Starting with Dostoevsky's Bakhtin and Nabokov as Intertextualists, by John Burt Foster, Jr. A Character's Indictment of Authorial The Parody of Texts in Roberto G. Fernandez's Fiction, by Jorge Febles Federated Balzac's Lost Illusions and Melville's Pierre, by Benjamin Sherwood Lawson Texts Engendering A Québecois Rewriting of American Novels, by Anne Marie Miraglia Silone's "Moses" at the Bitter Exodus as Subtext, by Marisa Gatti-Taylor Poetry and Intertextuality in the Works of José Angel Valente, by Anita M. Hart Placing Source in Greed and McTeague, by Mary Lawlor Desica's Bicycle Thieves and the Attack on the Classical Hollywood Film, by Gerard Molyneaux Pictures of Reference and Reality in Two Script Versions of Potemkin, by Bruce E. Fleming The Compound Genre Billy the Kid Versus Dracula meets The Harvey Girls, by Adam Knee Emblematic Benches by Tom Phillips, by Erdmute Wenzel WhiteElaine D. Cancalon and Antoine Spacagna teach in the Department of Modern Languages at Florida State University.