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The New Granta Book of the American Short Story

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  • 736 stron
  • 26 godzin czytania

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In 1992, Richard Ford edited and introduced the first Granta Book of the American Short Story . It became the definitive anthology of American short fiction written in the last half of the twentieth century—an “exemplary choice” in the words of The Washington Post —with stories by Eudora Welty, John Cheever, Raymond Carver, and forty others demonstrating how much memorable power can lie in the briefest narration. In the years since, Ford has been reading new stories and rereading old ones and selecting new favorites. This new collection features more than forty stories, including some he regretted overlooking the first time around, as well as many by a new generation of writers—among them Sherman Alexie, Junot Díaz, Deborah Eisenberg, Nell Freudenberger, Matthew Klam, Jhumpa Lahiri, and Z. Z. Packer. None of the stories (though a few of the writers) were in the first volume. Once again, Ford’s introduction is an illuminating exposition of how a good story is written by a master of the craft.

Zakup książki

The New Granta Book of the American Short Story, Richard Ford, Robert Stone, Eudora Welty, Andre Dubus

Język
Rok wydania
2007
Oprawa
(miękka)
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4,0
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328 Ocena

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Tytuł
The New Granta Book of the American Short Story
Język
angielski
Rok wydania
2007
Oprawa
miękka
Liczba stron
736
ISBN10
1847080251
ISBN13
9781847080257
Kategorie
Ocena
4 z 5
Opis
In 1992, Richard Ford edited and introduced the first Granta Book of the American Short Story . It became the definitive anthology of American short fiction written in the last half of the twentieth century—an “exemplary choice” in the words of The Washington Post —with stories by Eudora Welty, John Cheever, Raymond Carver, and forty others demonstrating how much memorable power can lie in the briefest narration. In the years since, Ford has been reading new stories and rereading old ones and selecting new favorites. This new collection features more than forty stories, including some he regretted overlooking the first time around, as well as many by a new generation of writers—among them Sherman Alexie, Junot Díaz, Deborah Eisenberg, Nell Freudenberger, Matthew Klam, Jhumpa Lahiri, and Z. Z. Packer. None of the stories (though a few of the writers) were in the first volume. Once again, Ford’s introduction is an illuminating exposition of how a good story is written by a master of the craft.