Bookbot

The Lost Impressionists

Masterpieces from Private Collections

Ocena książki

Więcej o książce

Students and scholars of Impressionism will welcome the focus of this new book, which profiles 92 privately owned masterworks. Until now, information about these paintings--and even images of some of them--have not been available. De Vries-Evans provides solid provenance data and also examines the impetus behind the collection of certain works, furthering this aim by appending a highly informative section that lists over 60 collectors. 92 paintings presented all of them belong to private collections, and many are rarely seen by anyone other than their owners. Among the highlights are Manet's debonair portrait of a chic, coquettish widow; a jewel-like river scene by Gustave Caillebotte; a dazzling room interior by Pierre Bonnard; and Degas's remarkable study of laundresses, which fuses devices from photography and Japanese prints. Along with works by Pissarro, Cassatt, Renoir, Monet and Morisot, the volume features paintings by Post-impressionists such as Van Gogh, Gauguin, Seurat and Toulouse-Lautrec as well as by less familiar artists such as the American Frederick Frieseke and the English painters Albert Fullwood and Philip Wilson Steer. De Vries-Evans, an Australian art historian, provides entertaining commentaries on each plate as well as a colorful history of collectors and collecting.

Zakup książki

The Lost Impressionists, Susanna de Vries-Evans

Język
Rok wydania
1992
Oprawa
(twarda)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,4
Bardzo dobra
3 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
The Lost Impressionists
Podtytuł
Masterpieces from Private Collections
Język
angielski
Rok wydania
1992
Oprawa
twarda
Liczba stron
192
ISBN10
1879373254
ISBN13
9781879373259
Seria
Ocena
4,35 z 5
Opis
Students and scholars of Impressionism will welcome the focus of this new book, which profiles 92 privately owned masterworks. Until now, information about these paintings--and even images of some of them--have not been available. De Vries-Evans provides solid provenance data and also examines the impetus behind the collection of certain works, furthering this aim by appending a highly informative section that lists over 60 collectors. 92 paintings presented all of them belong to private collections, and many are rarely seen by anyone other than their owners. Among the highlights are Manet's debonair portrait of a chic, coquettish widow; a jewel-like river scene by Gustave Caillebotte; a dazzling room interior by Pierre Bonnard; and Degas's remarkable study of laundresses, which fuses devices from photography and Japanese prints. Along with works by Pissarro, Cassatt, Renoir, Monet and Morisot, the volume features paintings by Post-impressionists such as Van Gogh, Gauguin, Seurat and Toulouse-Lautrec as well as by less familiar artists such as the American Frederick Frieseke and the English painters Albert Fullwood and Philip Wilson Steer. De Vries-Evans, an Australian art historian, provides entertaining commentaries on each plate as well as a colorful history of collectors and collecting.