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Anthony Caro

Quest for the New Sculpture

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  • 360 stron
  • 13 godzin czytania

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Anthony Caro is internationally renown as the greatest modernist sculptor of our time. His radical approach heralded a revolution in sculpture. Through his work and teaching he freed sculpture from the monolith. This landmark publication brings together for the first time selections from his previously unpublished correspondence with critics, including Clement Greenberg and Michael Fried, and the artists who helped him with his quest for a new language for sculpture. The story of Caro’s quest is told through these extracts from letters and interviews with his contemporaries, which contain a wealth of information. Caro’s views on sculpture are detailed through this engaging chronological examination of his entire development that is complemented with previously unpublished documentary images of the exhibitions, places and personalities that influenced his sculpture. Critical reaction to his sculpture is also traced through selected press cuttings from his principal exhibitions and other major events of his career. This publication will appeal to anyone interested in sculpture.

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Anthony Caro, Ian Barker

Język
Rok wydania
2004
Oprawa
(twarda)
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Tytuł
Anthony Caro
Podtytuł
Quest for the New Sculpture
Język
angielski
Autorzy
Ian Barker
Rok wydania
2004
Oprawa
twarda
Liczba stron
360
ISBN10
3899290240
ISBN13
9783899290240
Seria
Opis
Anthony Caro is internationally renown as the greatest modernist sculptor of our time. His radical approach heralded a revolution in sculpture. Through his work and teaching he freed sculpture from the monolith. This landmark publication brings together for the first time selections from his previously unpublished correspondence with critics, including Clement Greenberg and Michael Fried, and the artists who helped him with his quest for a new language for sculpture. The story of Caro’s quest is told through these extracts from letters and interviews with his contemporaries, which contain a wealth of information. Caro’s views on sculpture are detailed through this engaging chronological examination of his entire development that is complemented with previously unpublished documentary images of the exhibitions, places and personalities that influenced his sculpture. Critical reaction to his sculpture is also traced through selected press cuttings from his principal exhibitions and other major events of his career. This publication will appeal to anyone interested in sculpture.