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Conversations in Paint

A Notebook of Fundamentals

Ocena książki

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  • 207 stron
  • 8 godzin czytania

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A fresh introduction to the fundamentals, conversations in paint (previously titled The Principles of Painting) is part painter's sketchbook, part philosopher's journal, part instructor's primer. If you paint, it will give new insight into your work. If you don't paint, it will inspire you.It is also a unique object in its own right, a book as work of art. Developed as a sketchbook, the pages are crammed with watercolor sketches that look as if they've been painted right on the page, plus diagrams, charts, and reproductions of old masters and contemporary artists. Quotations from Cezanne to such unexpected authors as Harvey Penick are printed in a specially designed typeface based on the author's handwriting, giving each spread the intimate, layered quality of Sara Midda's books. Indeed, the spread-designed with text, quotes, illustrations and captions, to be read and absorbed on its own-is the book's basic building block. Open the book anywhere and learn something new about painting. About seven ways an artist sees. About the language of line. About mood and the four ways to stimulate emotion. About perspective, light and shade, style, composition, drawing, technique, mass, scale. And, from a life-long teacher, a little section at the end of the book about "Learning-applicable to any area of life.

Zakup książki

Conversations in Paint, Charles Dunn

Język
Rok wydania
1995
Oprawa
(miękka)
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Metody płatności

4,2
Bardzo dobra
28 Ocena

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Tytuł
Conversations in Paint
Podtytuł
A Notebook of Fundamentals
Język
angielski
Rok wydania
1995
Oprawa
miękka
Liczba stron
207
ISBN10
156305664X
ISBN13
9781563056642
Seria
Tagi
Sztuka
Ocena
4,2 z 5
Opis
A fresh introduction to the fundamentals, conversations in paint (previously titled The Principles of Painting) is part painter's sketchbook, part philosopher's journal, part instructor's primer. If you paint, it will give new insight into your work. If you don't paint, it will inspire you.It is also a unique object in its own right, a book as work of art. Developed as a sketchbook, the pages are crammed with watercolor sketches that look as if they've been painted right on the page, plus diagrams, charts, and reproductions of old masters and contemporary artists. Quotations from Cezanne to such unexpected authors as Harvey Penick are printed in a specially designed typeface based on the author's handwriting, giving each spread the intimate, layered quality of Sara Midda's books. Indeed, the spread-designed with text, quotes, illustrations and captions, to be read and absorbed on its own-is the book's basic building block. Open the book anywhere and learn something new about painting. About seven ways an artist sees. About the language of line. About mood and the four ways to stimulate emotion. About perspective, light and shade, style, composition, drawing, technique, mass, scale. And, from a life-long teacher, a little section at the end of the book about "Learning-applicable to any area of life.