Ocena książki
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- 572 strony
- 21 godzin czytania
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This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail―information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.
Zakup książki
Cross-Cultural Filmmaking, Ilisa Barbash, Lucien Castaing-Taylor
- Język
- Rok wydania
- 1997
- Oprawa
- (miękka)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- Cross-Cultural Filmmaking
- Podtytuł
- A Handbook for Making Documentary and Ethnographic Films and Videos
- Język
- angielski
- Autorzy
- Ilisa Barbash, Lucien Castaing-Taylor
- Rok wydania
- 1997
- Oprawa
- miękka
- Liczba stron
- 572
- ISBN10
- 0520087607
- ISBN13
- 9780520087606
- Seria
- Kategorie
- Tagi
- Biznes, Tematyka filmowa, Etnografia, Sztuki performatywne, Wyposażenie, Studia filmowe, Dźwięk, Film dokumentalny, Fundraising
- Ocena
- 3,95 z 5
- Opis
- This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail―information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.


