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Drawing Life

Surviving the Unabomber

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On June 24, 1993, David Gelernter opened a package that exploded, severely injuring him. The perpetrator, the Unabomber, targeted Gelernter, a critic of technology, in a cruel twist of fate. Yet, the attack transformed Gelernter's life, strengthening his spirit rather than breaking it. In this poignant memoir, he reflects on his near-death experience and recovery, drawing parallels between his personal journey and the state of American society. Gelernter critiques the cultural devaluation of family, religion, community, and art, lamenting that Americans have turned crime into a media spectacle. Instead of fostering virtues like courage and critical thinking, society fixates on the sensational aspects of violence, often neglecting the deeper implications. He highlights how the media portrayed the Unabomber as a "genius" or "fascinating," but rarely as evil, raising the unsettling question of what it means when a culture loses its belief in evil. Gelernter urges us to question rather than gawk at violence, advocating for a moral response to crises. This gripping narrative serves as both a personal resurrection and a profound commentary on the cultural trajectory of society.

Zakup książki

Drawing Life, David Hillel Gelernter

Język
Rok wydania
1997
Oprawa
(twarda)
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3,9
Bardzo dobra
59 Ocena

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Tytuł
Drawing Life
Podtytuł
Surviving the Unabomber
Język
angielski
Wydawca
Free Press
Rok wydania
1997
Oprawa
twarda
Liczba stron
159
ISBN10
0684839121
ISBN13
9780684839127
Seria
Ocena
3,85 z 5
Opis
On June 24, 1993, David Gelernter opened a package that exploded, severely injuring him. The perpetrator, the Unabomber, targeted Gelernter, a critic of technology, in a cruel twist of fate. Yet, the attack transformed Gelernter's life, strengthening his spirit rather than breaking it. In this poignant memoir, he reflects on his near-death experience and recovery, drawing parallels between his personal journey and the state of American society. Gelernter critiques the cultural devaluation of family, religion, community, and art, lamenting that Americans have turned crime into a media spectacle. Instead of fostering virtues like courage and critical thinking, society fixates on the sensational aspects of violence, often neglecting the deeper implications. He highlights how the media portrayed the Unabomber as a "genius" or "fascinating," but rarely as evil, raising the unsettling question of what it means when a culture loses its belief in evil. Gelernter urges us to question rather than gawk at violence, advocating for a moral response to crises. This gripping narrative serves as both a personal resurrection and a profound commentary on the cultural trajectory of society.