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Bae Bien-U: Sacred Wood

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  • 120 stron
  • 5 godzin czytania

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With his meditative landscape photographs, which have an almost calligraphic quality, Seoul-based Bae Bien-U is one of Korea's best known artists, and has influenced a generation of photographers during his many years of teaching. He first rose to prominence in his country with his series--ongoing for the past two decades--depicting pine groves, which are plentiful, as the pine is Korea's national tree, representing longevity. Beginning with a selection of images taken near Gyeongju's Silla Dynasty burial mounds, this stunning large-format volume assembles images from the entire series, which were shot exclusively in natural light, both day and night. Natural effects like fog and filtered sunlight add to the expressionistic quality of the images, which recall Western Romanticism but reflect a characteristically Korean visual vocabulary. This volume is published concurrently with an exhibition at London's Phillips de Pury & Company.

Zakup książki

Bae Bien-U: Sacred Wood, Wonkyung Byun

Język
Rok wydania
2009
Oprawa
(twarda)
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Tytuł
Bae Bien-U: Sacred Wood
Język
angielski
Rok wydania
2009
Oprawa
twarda
Liczba stron
120
ISBN10
3775722831
ISBN13
9783775722834
Seria
Ocena
3 z 5
Opis
With his meditative landscape photographs, which have an almost calligraphic quality, Seoul-based Bae Bien-U is one of Korea's best known artists, and has influenced a generation of photographers during his many years of teaching. He first rose to prominence in his country with his series--ongoing for the past two decades--depicting pine groves, which are plentiful, as the pine is Korea's national tree, representing longevity. Beginning with a selection of images taken near Gyeongju's Silla Dynasty burial mounds, this stunning large-format volume assembles images from the entire series, which were shot exclusively in natural light, both day and night. Natural effects like fog and filtered sunlight add to the expressionistic quality of the images, which recall Western Romanticism but reflect a characteristically Korean visual vocabulary. This volume is published concurrently with an exhibition at London's Phillips de Pury & Company.