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Complete Piano Concertos in Full Score

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The five Beethoven piano concertos have long been staples of the pianist's repertoire and are perennial favorites of concert audiences. Here in one convenient volume are all five, reproduced directly from the authoritative Breitkopf and Härtel edition, including most of the composer's own cadenzas.These concertos reveal the steady development of Beethoven's mastery of pianistic and orchestral resources through his early and middle periods. The first two, No. 1 in C Major, Op. 15 (1795), and No. 2 in B-flat Major, Op. 19 (before 1793), reflect the youthful exuberance of Beethoven's earlier style. No. 3 in C Minor, Op. 37 (1800), is "one of the most successful embodiments of Beethoven's "C Minor mood'" (New Grove Dictionary) and No. 4 in G Major, Op. 58 (1805–1806), is considered a milestone in concerto development. No. 5 in E-flat Major, Op. 73 ("Emperor," 1809), clearly illustrates Beethoven's further innovations in concerto structure.Pianists, musicians, conductors, and students seeking to learn more about Beethoven's impact on musical history, and lovers of music in general, will appreciate having these concertos in one handy, inexpensive edition.

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Complete Piano Concertos in Full Score, Ludwig van Beethoven

Język
Rok wydania
1984
Oprawa
(miękka)
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Tytuł
Complete Piano Concertos in Full Score
Język
angielski
Rok wydania
1984
Oprawa
miękka
Liczba stron
377
ISBN10
0486245632
ISBN13
9780486245638
Seria
Ocena
4,55 z 5
Opis
The five Beethoven piano concertos have long been staples of the pianist's repertoire and are perennial favorites of concert audiences. Here in one convenient volume are all five, reproduced directly from the authoritative Breitkopf and Härtel edition, including most of the composer's own cadenzas.These concertos reveal the steady development of Beethoven's mastery of pianistic and orchestral resources through his early and middle periods. The first two, No. 1 in C Major, Op. 15 (1795), and No. 2 in B-flat Major, Op. 19 (before 1793), reflect the youthful exuberance of Beethoven's earlier style. No. 3 in C Minor, Op. 37 (1800), is "one of the most successful embodiments of Beethoven's "C Minor mood'" (New Grove Dictionary) and No. 4 in G Major, Op. 58 (1805–1806), is considered a milestone in concerto development. No. 5 in E-flat Major, Op. 73 ("Emperor," 1809), clearly illustrates Beethoven's further innovations in concerto structure.Pianists, musicians, conductors, and students seeking to learn more about Beethoven's impact on musical history, and lovers of music in general, will appreciate having these concertos in one handy, inexpensive edition.