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Studies in Design: Surface Tensions

Surface, Finish and the Meaning of Objects

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Surfaces are often held to be of lesser consequence than ‘deeper’ or more ‘substantive’ aspects of artworks and objects. Yet it is also possible to conceive of the surface in more positive as a site where complex forces meet. Surfaces can be theorized as membranes, protective shells, sensitive skins, even thicknesses in their own right. The surface is not so much a barrier to content as an opportunity for in new objects, the surface is the site of qualities of finish, texture, the site of tactile interaction, the last point of contact between object and maker, and the first point of contact between object and user.Surface tensions includes sixteen essays that explore this theoretically uncharted terrain. The subjects range domestic maintenance; avant-garde fashion; the faking of antiques; postmodern architecture and design; contemporary film costume. Of particular emphasis within the volume are textiles, which are among the most complex and culturally rich materialisations of surface. As a whole, the book provides insights into the whole lifecycle of objects, not just their condition when new.

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Studies in Design: Surface Tensions, Glenn Adamson, Victoria Kelley

Język
Rok wydania
2013
Oprawa
(twarda)
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Tytuł
Studies in Design: Surface Tensions
Podtytuł
Surface, Finish and the Meaning of Objects
Język
angielski
Rok wydania
2013
Oprawa
twarda
Liczba stron
256
ISBN10
0719087511
ISBN13
9780719087516
Seria
Ocena
4 z 5
Opis
Surfaces are often held to be of lesser consequence than ‘deeper’ or more ‘substantive’ aspects of artworks and objects. Yet it is also possible to conceive of the surface in more positive as a site where complex forces meet. Surfaces can be theorized as membranes, protective shells, sensitive skins, even thicknesses in their own right. The surface is not so much a barrier to content as an opportunity for in new objects, the surface is the site of qualities of finish, texture, the site of tactile interaction, the last point of contact between object and maker, and the first point of contact between object and user.Surface tensions includes sixteen essays that explore this theoretically uncharted terrain. The subjects range domestic maintenance; avant-garde fashion; the faking of antiques; postmodern architecture and design; contemporary film costume. Of particular emphasis within the volume are textiles, which are among the most complex and culturally rich materialisations of surface. As a whole, the book provides insights into the whole lifecycle of objects, not just their condition when new.