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Daria Klimentova

Agony and Ecstasy - My Life in Dance

Ocena książki

Parametry

  • 288 stron
  • 11 godzin czytania

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"Daria Klimentova has been one of Britain's best-loved ballerinas for two decades, having danced at Scottish Ballet and then - since 1996 - as prima ballerina at English National Ballet... Born in the former Czechoslovakia... [she] initially trained as a young member of the Czech Olympic Gymnastics Squad before transferring to ballet. After three years as a principal dancer in the Czech National Ballet, she moved to dance with the Cape Ballet Company in South Africa... In her forties, at an age when most ballerinas have retired, Daria continues to captivate audiences with her impeccable technique and free flowing natural grandeur. In the twilight of her career, Daria has forged a remarkable partnership with the young Russian Principal, Vadim Muntagirov, which critics have likened to the Fonteyn/Nureyev dynamic." -- Book jacket.

Zakup książki

Daria Klimentova, Daria Klimentová, Graham C. Watts

Język
Rok wydania
2013
Oprawa
(twarda)
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4,0
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36 Ocena

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Tytuł
Daria Klimentova
Podtytuł
Agony and Ecstasy - My Life in Dance
Język
angielski
Rok wydania
2013
Oprawa
twarda
Liczba stron
288
ISBN10
1857828836
ISBN13
9781857828832
Seria
Ocena
3,95 z 5
Opis
"Daria Klimentova has been one of Britain's best-loved ballerinas for two decades, having danced at Scottish Ballet and then - since 1996 - as prima ballerina at English National Ballet... Born in the former Czechoslovakia... [she] initially trained as a young member of the Czech Olympic Gymnastics Squad before transferring to ballet. After three years as a principal dancer in the Czech National Ballet, she moved to dance with the Cape Ballet Company in South Africa... In her forties, at an age when most ballerinas have retired, Daria continues to captivate audiences with her impeccable technique and free flowing natural grandeur. In the twilight of her career, Daria has forged a remarkable partnership with the young Russian Principal, Vadim Muntagirov, which critics have likened to the Fonteyn/Nureyev dynamic." -- Book jacket.