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Twayne's Filmmakers Series: Alan Rudolph

Romance and a Crazed World

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In this comprehensive study of Rudolph's 16 films, Richard Ness explores the unique visual and aural characteristics of what he terms "the Rudolph universe." He categorizes Rudolph's work into personal films, such as Welcome to L.A. (1977) and Mrs. Parker and the Vicious Circle, and his "director-for-hire" studio projects, notably Mortal Thoughts. Beginning with Rudolph's early directorial efforts and collaborations with mentor Robert Altman, Ness highlights recurring themes of identity and romantic fulfillment, emphasizing Rudolph's intricate visual composition and mise-en-scène. He examines how Rudolph adapts various genres to reflect his thematic interests, creating a distinctive environment even within familiar genres. Ness argues that Rudolph's films—whether in women's melodramas (Remember My Name), film noir (Trouble in Mind), westerns (Songwriter), political thrillers (Endangered Species), detective films (Love at Large), suspense dramas (Mortal Thoughts), or comedies (Choose Me and Roadie)—focus on the interactions of characters within formulaic situations, revealing deeper insights into human relationships and experiences.

Zakup książki

Twayne's Filmmakers Series: Alan Rudolph, Richard J. Van Ness

Język
Rok wydania
1996
Oprawa
(miękka)
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Tytuł
Twayne's Filmmakers Series: Alan Rudolph
Podtytuł
Romance and a Crazed World
Język
angielski
Rok wydania
1996
Oprawa
miękka
Liczba stron
216
ISBN10
0805792473
ISBN13
9780805792478
Seria
Opis
In this comprehensive study of Rudolph's 16 films, Richard Ness explores the unique visual and aural characteristics of what he terms "the Rudolph universe." He categorizes Rudolph's work into personal films, such as Welcome to L.A. (1977) and Mrs. Parker and the Vicious Circle, and his "director-for-hire" studio projects, notably Mortal Thoughts. Beginning with Rudolph's early directorial efforts and collaborations with mentor Robert Altman, Ness highlights recurring themes of identity and romantic fulfillment, emphasizing Rudolph's intricate visual composition and mise-en-scène. He examines how Rudolph adapts various genres to reflect his thematic interests, creating a distinctive environment even within familiar genres. Ness argues that Rudolph's films—whether in women's melodramas (Remember My Name), film noir (Trouble in Mind), westerns (Songwriter), political thrillers (Endangered Species), detective films (Love at Large), suspense dramas (Mortal Thoughts), or comedies (Choose Me and Roadie)—focus on the interactions of characters within formulaic situations, revealing deeper insights into human relationships and experiences.