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At first sight, it appears brand new, pure Tokyo pop. But The Japanese Inevitable reveals far more than the successful cloning of morphed manga motifs onto stretched canvas and museum walls. It represents eight positions in contemporary Japanese art and scrutinizes their complex visual vocabulary, noting references to Japanese and Western art traditions as frequently as the borrowing of mass culture motifs from the realms of manga and anime . Takashi Murakami's MR. DOB questions the place of contemporary art in our global society; Aya Takano's glowing watercolors combine Japanese sensitivity, issues of female identity, and sci-fi; Masahiko Kuwahara's mutant animals provide shades of softness and mysterious openness, and Yoshitomo Nara's reworking of historical Japanese woodcuts disturbs the floating world. Not only are the artists' visual repertoires new and surprising, but their creative methods and strategies help conquer a public that is mostly untouched by contemporary art. Published in association with the Ursula Blickle Foundation.
Zakup książki
The Japanese Experience - Inevitable, Margrit Brehm, Jun Hasegawa, Hiropon, Gregor Jansen, Shintaro Miyake, Takashi Murakami, Aya Takano, Yoshitomo Nara
- Język
- Rok wydania
- 2002
- Oprawa
- (twarda)
Metody płatności
Brakuje nam tutaj Twojej recenzji.
- Tytuł
- The Japanese Experience - Inevitable
- Język
- angielski
- Autorzy
- Margrit Brehm, Jun Hasegawa, Hiropon, Gregor Jansen, Shintaro Miyake, Takashi Murakami, Aya Takano, Yoshitomo Nara
- Wydawca
- Hatje Cantz
- Rok wydania
- 2002
- Oprawa
- twarda
- Liczba stron
- 208
- ISBN10
- 3775712542
- ISBN13
- 9783775712545
- Seria
- Tagi
- Tematy historyczne, Sztuka, Katalogi wystaw, XX wiek, Japonia, Historia sztuki, Azja, XXI wiek, Zachodnia Europa, Literatura postmodernistyczna, Pop Art
- Ocena
- 4,05 z 5
- Opis
- At first sight, it appears brand new, pure Tokyo pop. But The Japanese Inevitable reveals far more than the successful cloning of morphed manga motifs onto stretched canvas and museum walls. It represents eight positions in contemporary Japanese art and scrutinizes their complex visual vocabulary, noting references to Japanese and Western art traditions as frequently as the borrowing of mass culture motifs from the realms of manga and anime . Takashi Murakami's MR. DOB questions the place of contemporary art in our global society; Aya Takano's glowing watercolors combine Japanese sensitivity, issues of female identity, and sci-fi; Masahiko Kuwahara's mutant animals provide shades of softness and mysterious openness, and Yoshitomo Nara's reworking of historical Japanese woodcuts disturbs the floating world. Not only are the artists' visual repertoires new and surprising, but their creative methods and strategies help conquer a public that is mostly untouched by contemporary art. Published in association with the Ursula Blickle Foundation.