Bookbot

Library of Chinese Classics - 6: A Dream of Red Mansions

红楼梦

Ocena książki

Parametry

  • 3575 stron
  • 126 godzin czytania

Więcej o książce

Also known as Hong Lou Meng, this work is considered China's greatest literary masterpiece, chronicling a noble family's life in the eighteenth century. Amidst the splendor of enchanting gardens and pleasure pavilions lies a deeper narrative of decay and self-destruction. The author, Cao Xueqin (1715? - 1763?), originally named Zhan, adopted the style name Mengruan. He was also known as Xueqin, Qinpu, or Qinxi. His family hailed from what is now Liaoyang City in Northeast China and had been integrated into the Manchu Right White Banner. For around 60 years, his ancestors held the position of Textile Commissioner in Jiangning (modern-day Nanjing). Cao Xueqin's great grandmother was a nursemaid to the future Kangxi emperor, who later honored the family. However, after the Yongzhen emperor's ascension, Cao Xueqin's father, Cao Fu, faced disgrace and the family's fortunes dwindled, leading them to Beijing. Once accustomed to luxury, Cao Xueqin experienced poverty firsthand, ultimately living in a modest hovel on the outskirts of the capital. The death of his young son in 1762 profoundly affected him, and he never fully recovered. He passed away on February 12, 1763.

Zakup książki

Library of Chinese Classics - 6: A Dream of Red Mansions, Xueqin Cao, Xianyi Yang, Gladys Yang, Elvis E. Gaona G.

Język
Rok wydania
1999
Oprawa
(inna)
Jak tylko się pojawi, wyślemy Ci wiadomość e-mail.

Metody płatności

4,7
Doskonała
6 Ocena

Brakuje nam tutaj Twojej recenzji.

Tytuł
Library of Chinese Classics - 6: A Dream of Red Mansions
Podtytuł
红楼梦
Język
chiński
Rok wydania
1999
Oprawa
inna
Liczba stron
3575
ISBN10
7119024116
ISBN13
9787119024110
Ocena
4,65 z 5
Opis
Also known as Hong Lou Meng, this work is considered China's greatest literary masterpiece, chronicling a noble family's life in the eighteenth century. Amidst the splendor of enchanting gardens and pleasure pavilions lies a deeper narrative of decay and self-destruction. The author, Cao Xueqin (1715? - 1763?), originally named Zhan, adopted the style name Mengruan. He was also known as Xueqin, Qinpu, or Qinxi. His family hailed from what is now Liaoyang City in Northeast China and had been integrated into the Manchu Right White Banner. For around 60 years, his ancestors held the position of Textile Commissioner in Jiangning (modern-day Nanjing). Cao Xueqin's great grandmother was a nursemaid to the future Kangxi emperor, who later honored the family. However, after the Yongzhen emperor's ascension, Cao Xueqin's father, Cao Fu, faced disgrace and the family's fortunes dwindled, leading them to Beijing. Once accustomed to luxury, Cao Xueqin experienced poverty firsthand, ultimately living in a modest hovel on the outskirts of the capital. The death of his young son in 1762 profoundly affected him, and he never fully recovered. He passed away on February 12, 1763.