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Platform Studies: The Future Was Here

The Commodore Amiga

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In 1985, personal computers were largely divided into two categories: playful game machines from companies like Atari and Commodore, and utilitarian business machines from IBM. The former offered limited real-world utility, while the latter focused solely on functionality, lacking any sense of fun. Enter the Commodore Amiga 1000, a groundbreaking personal computer that introduced a palette of 4,096 colors, advanced animation capabilities, four-channel stereo sound, multitasking, a graphical user interface, and impressive processing power. According to Jimmy Maher, this was the world's first true multimedia computer. He argues that the Amiga's ability to store and display color photos, manipulate video, and use real-world sound recordings laid the groundwork for the digital media future, influencing technologies like digital cameras, Photoshop, MP3 players, and platforms such as YouTube and Flickr. Maher explores various aspects of the Amiga, including Deluxe Paint, AmigaOS, and Cinemaware, painting a vivid picture of the platform and its vibrant community. While acknowledging its flaws—such as a clunky DOS component and frequent crashes—he highlights how, for a brief period, the Amiga empowered engineers, programmers, and artists to redefine the landscape of computing before Commodore's bankruptcy in 1994.

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Platform Studies: The Future Was Here, Jimmy Maher

Język
Rok wydania
2018
Oprawa
(miękka)
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Tytuł
Platform Studies: The Future Was Here
Podtytuł
The Commodore Amiga
Język
angielski
Wydawca
MIT Press
Rok wydania
2018
Oprawa
miękka
Liczba stron
344
ISBN10
0262535696
ISBN13
9780262535694
Ocena
3,65 z 5
Opis
In 1985, personal computers were largely divided into two categories: playful game machines from companies like Atari and Commodore, and utilitarian business machines from IBM. The former offered limited real-world utility, while the latter focused solely on functionality, lacking any sense of fun. Enter the Commodore Amiga 1000, a groundbreaking personal computer that introduced a palette of 4,096 colors, advanced animation capabilities, four-channel stereo sound, multitasking, a graphical user interface, and impressive processing power. According to Jimmy Maher, this was the world's first true multimedia computer. He argues that the Amiga's ability to store and display color photos, manipulate video, and use real-world sound recordings laid the groundwork for the digital media future, influencing technologies like digital cameras, Photoshop, MP3 players, and platforms such as YouTube and Flickr. Maher explores various aspects of the Amiga, including Deluxe Paint, AmigaOS, and Cinemaware, painting a vivid picture of the platform and its vibrant community. While acknowledging its flaws—such as a clunky DOS component and frequent crashes—he highlights how, for a brief period, the Amiga empowered engineers, programmers, and artists to redefine the landscape of computing before Commodore's bankruptcy in 1994.