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The Haunted Self

Surrealism, Psychoanalysis, Subjectivity

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The question, "Who am I?" resounded throughout the surrealist movement. The exploration of dreams and the unconscious prompted surrealists to reject the notion of a unified, indivisible self by revealing the subject to be haunted by otherness and instability. In this original book David Lomas explores the surrealist concepts of the self and subjectivity from a psychoanalytic viewpoint. Employing a series of case studies devoted to individual artists, Lomas arrives at a radically new account of surrealist art and its cultural and intellectual roots. Weaving together psychoanalytic and historical material, the author analyzes works by such artists as Ernst, Dalí, Masson, Miró, and Picasso with regard to such themes as automatism, hysteria, the uncanny, and the abject. Lomas focuses closely on individual artworks, examines the specific circumstances in which they were produced, and offers new insights into the artists and their projects as well as the theories of Bataille, Breton, and others. Lomas demonstrates the powerful connection between the history of psychoanalysis and the history of surrealism, and along the way he shows the unique value of psychoanalytic theory as a tool for the art historian.

Zakup książki

The Haunted Self, David Lomas

Język
Rok wydania
2000
Oprawa
(twarda)
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Metody płatności

3,9
Bardzo dobra
10 Ocena

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Tytuł
The Haunted Self
Podtytuł
Surrealism, Psychoanalysis, Subjectivity
Język
angielski
Rok wydania
2000
Oprawa
twarda
Liczba stron
288
ISBN10
0300088000
ISBN13
9780300088007
Seria
Ocena
3,9 z 5
Opis
The question, "Who am I?" resounded throughout the surrealist movement. The exploration of dreams and the unconscious prompted surrealists to reject the notion of a unified, indivisible self by revealing the subject to be haunted by otherness and instability. In this original book David Lomas explores the surrealist concepts of the self and subjectivity from a psychoanalytic viewpoint. Employing a series of case studies devoted to individual artists, Lomas arrives at a radically new account of surrealist art and its cultural and intellectual roots. Weaving together psychoanalytic and historical material, the author analyzes works by such artists as Ernst, Dalí, Masson, Miró, and Picasso with regard to such themes as automatism, hysteria, the uncanny, and the abject. Lomas focuses closely on individual artworks, examines the specific circumstances in which they were produced, and offers new insights into the artists and their projects as well as the theories of Bataille, Breton, and others. Lomas demonstrates the powerful connection between the history of psychoanalysis and the history of surrealism, and along the way he shows the unique value of psychoanalytic theory as a tool for the art historian.